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Type: Posts; User: Nick Morrison

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  1. This is VERY cool.

    This is VERY cool.
  2. I just want to call out how awesome and great...

    I just want to call out how awesome and great John Brawley ACS you are being here. I'm really impressed, and I admire your generosity here.

    I've been watching this thread with bemusement for a...
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    Sent them all to a lens tech. Yes, painless. Same...

    Sent them all to a lens tech. Yes, painless. Same as Contax.
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    Almost. The two properly housed versions are...

    Almost.

    The two properly housed versions are referred to as Standard Speeds MKII and MKIII - they are basically baby Ultra Primes. And once you get to MKII and MKIII they also have way more lens...
  5. Chris you may be right. We generally never only...

    Chris you may be right. We generally never only shoot slow-mo, its often a mixture of regular speed and slowmo, but having TC boxes on each camera has always kept them in sync enough to work for the...
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    MK1 are Arri Bayonet, are are more like stills...

    MK1 are Arri Bayonet, are are more like stills lenses. They are tiny.

    What you have a photo of there is a "cinevized" set, so they have 80OD fronts on them, and focus gears.

    But the actual...
  7. I have to say not sure if I agree here. We've...

    I have to say not sure if I agree here. We've been shooting for our own post team (and our clients) for years, and matching timecode is always something we're very vigilant of.

    So long as every...
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    Interesting to hear its happening on Blackmagic...

    Interesting to hear its happening on Blackmagic cameras. I wasn't sure if that was the case.
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    Quick question, and forgive me is this has been...

    Quick question, and forgive me is this has been covered before.

    Would this Titla V mount plate help?

    https://www.bhphotovideo.com/c/product/1579553-REG/tilta_ta_t08_bpv_b_dual_canon_bp_to.html...
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    This is exactly how we work Marc. We shoot...

    This is exactly how we work Marc. We shoot 6K/5K/4K but edit with (or give clients) graded 422 Proxies. Final grade relinks to masters easily with EDL.
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    My editors use this for every day stuff yes. Not...

    My editors use this for every day stuff yes. Not with Komodo, just general use. They love it. One of them has had it for 6-9 months now, and no issues.
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    https://www.owcdigital.com/products/express-4m2

    https://www.owcdigital.com/products/express-4m2
  13. Hey Dan this is so great - congrats! LOVE...

    Hey Dan this is so great - congrats!

    LOVE THIS!

    Reminds me so much of the detuned funky look of "Killing Them Softly"


    https://www.youtube.com/watch?v=VCCBo0yh6YM
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    Dragon is still great. But we've been able to do...

    Dragon is still great. But we've been able to do amazing things with Gemini.

    Take these Xmas spots:
    https://www.smallgiant.tv/shoots#/thcsnowglobes/

    Shot on Gemini at 3200 at T22. Whistle...
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    The Gemini is way better. Dragon was fine. Gemini...

    The Gemini is way better. Dragon was fine. Gemini is leaps ahead. Especially with the dual ISO.
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    Pretty sure Drinking Buddies was shot on Scarlet...

    Pretty sure Drinking Buddies was shot on Scarlet MX:


    https://www.youtube.com/watch?v=YsYBCof6NHU[
  17. NICE!

    NICE!
  18. We have one, it's pretty useful for a lot of...

    We have one, it's pretty useful for a lot of stuff.
  19. Hey John, wow those SLR Magic Microprimes look...

    Hey John, wow those SLR Magic Microprimes look amazing. Thanks for the arrow! And congrats on your recent projects - The Great looks SO GOOD!
  20. This is very cool. Congrats.

    This is very cool. Congrats.
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    Komodo is very easy to work with yes.

    Komodo is very easy to work with yes.
  22. Sounds like their are protecting their highljghts...

    Sounds like their are protecting their highljghts by shooting 1600 ISO (and rating to that - meaning the gaffer and lighting team also use this as a guide). But then the LUT maybe brings down the...
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    The 24 1.4 is really good.

    The 24 1.4 is really good.
  24. View Post

    I don't doubt this Björn. But there was something stupid easy about the Alexa Classic. My clients shot this project, and from a network's POV, where they have so many bottlenecks, the workflow is...
  25. Have to say, we've been editing a campaign shot...

    Have to say, we've been editing a campaign shot on an Alexa Classic (which the DP I believe bought recently, in vein of this thread) and footage looks great.

    It's all 2K, but still looks as you'd...
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