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#121 |
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Senior Member
Join Date: Dec 2006
Posts: 3,029
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A lot of people, myself included, agree that Color produces less than superior results when compared to Redcine outputs. Something to do with the debayering process.
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Red 363 MX Canon PL K-35 Superspeeds cin / edi / dir www.rickdarge.com http://www.theredshooter.com/ |
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#122 | |
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Member
Join Date: Apr 2009
Location: Prague, Czech Rep.
Posts: 56
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Still I think what Cineform does with their First Light or how it is called is really great idea, to create metadata library using nice Redcine GUI, then provide debayer with such adjustments on-fly for other apps. However, I guess you are more clever than we all here anyway and know this very well.
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pro.bistudio.com - MoCap, RED One, 3D scanning |
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#123 | |
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Senior Member
Join Date: Dec 2006
Location: Orlando, FL
Posts: 434
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Count me as one of them!!! The difference is day and night. I have shown a grab from a quick CC using Redcine-X on set to the director, and when they receive the entire scene graded with Color, they go kind of "Uh..., but this is not the same as you showed me on set. I like it way better the other way!" So, what should we do? Make our "salaries" to be lower due to extra work to deliver a vastly superior product, or being eficient, but delivering a product that you know will be better if treated with Redcine-X first. Anyway, I hope that the mere existence of Redcine-X is not just to dream of how good the footage could look. In my eyes, I want to use it immediately since the results cannot be obtained with other products at the same level. Just my 2 cents...
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Luis Otero 711 - Dr. Red Digital Emulsion, Inc. Orlando, FL |
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#124 |
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Senior Member
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I take the best of both worlds: with Redcine x and RED Rocket™™ you can have a full debayer in real time, with Color, once the files are trascoded to prores 4444 or Dpx (I love prores 4444), you can apply secondaries, color fx etc. And the quality is amazing. With Clipfinder you can already send to redcine x only the clips that you used in the editing (but you have to render the full clip).
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#125 |
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Member
Join Date: May 2007
Location: Bruxelles, Belgium, Europe
Posts: 56
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luca,
what is your workflow once you've rendered all the clips in CF, i mean how do you send them to Color ? thx mate, o |
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#126 | |
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Senior Member
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Export an xml from FCP In Clipfinder File>Import clips from FCP XML (if you previously edit with offline prores choose Tools>replace mov with R3D or skip to next step) Edit>Select All and copy the R3Ds Make a new folder in you system and Paste the R3Ds In Redcine X open the folder with the browser Grade and render In Clipfinder Tools>Run conform from FCP XML XML input file choose the XML previously exported from FCP XML output file choose a name and a destination In Clip Directories put the path to the clips rendered with Redcine X Open the new XML with FCP Send to Color If you feel brave you can disable the safe mode in Clipfinder and using the L&T function to move only the clips used in FCP editing. |
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#127 | |
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Member
Join Date: Feb 2009
Posts: 68
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#128 |
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Member
Join Date: Feb 2009
Posts: 68
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Sorry, you already answered that above. Hopefully we'll get something that can achieve this soon.
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#129 | |
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Senior Member
Join Date: Dec 2006
Location: Orlando, FL
Posts: 434
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Quote:
Dave, Yes, this is the only disadvantage. I tried it and it does work perfectly fine! But you CANNOT cut any single frame while the footage is in Redcine-X, or the workflow does not do what it is intended. It takes A LOT of time to render the full debayered software (if you do not have RedRocket like me), but it is so worth it! THANKS LUCA, THANKS A LOT!
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Luis Otero 711 - Dr. Red Digital Emulsion, Inc. Orlando, FL |
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