Thread: IN-HOUSE LIGHT KIT - $5K BUDGET

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  1. #1 IN-HOUSE LIGHT KIT - $5K BUDGET 
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    Hey guys, I would love your communal advice on what lights to get for $5k. These are to be our in-house package, to cover interviews, small narrative scenes, and quick spec shoots.

    I have several thoughts, but would love your sage advice:

    1) TUNGSTEN:

    Arri Softbank Kit. (650, 300, 150, 150, Chimera) Approx $2,400. <Plus a 2K?>


    2) DAYLIGHT: too many options...

    A) Kino Interview Kit (Two 4x2s) - $2,360 <leaning towards this, love their versatility. I'd get it with Daylight and Tungsten bulbs>
    B) Riffa Triple Soft Kit (Rifa 88, 66, 55) - $2,059 <with Daylight/Tungsten bulbs>
    C) Litepanels LED Flypak (1 Spot, 1 Flood LED) - $3,500 <expensive...>
    D) LED's by Coolights - $2,000 (for 1200, 600, 256) <realiable?>
    E) A joker of some kind...


    I'm basically looking for a mixture of hard/soft light, and daylight/tungsten. But you guys are in the field much more than I am. Waddya think?
    ___________
    Nick Morrison
    Director, Producer, Writer (WGA-East)
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  2. #2  
    I have used all these, and have a few of them

    get the Arri softbank kit first! It is a very versatile kit, that you can get $100-$175/day in rental on it.

    don't get a 2k... rent as needed.. they are very hot, as well
    for your other kit purchase..

    think about the Rosco Gaffer Kit litepanels kit..

    or a Diva 400 2 light kit. You can get $200/day in rent out of it..

    don't bother with the Diva 200 kino.. you'll always wish you had the other 2 bulbs.. and rental demand will be low...

    I own the Cool Lights LEDs , and like them for myself.. but they are not tough enough to rent out.
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  3. #3  
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    My current small doc, interview, travel kit as follows.

    (2) Coollights CDM-150 daylight
    (1) Coolights softbox for CDM150
    (2) Coolights LED600 wide daylight
    (5) Lowel Uni stands (I use one to mount a boom mic for interviews).

    Several years of steady use and constant mending.

    I have access to a full grip and light inventory, trucks, Kinos, HMI, big tungsten, distro, genies and still go out with above for doc / travel jobs. One complaint with Coolights is all the thumbscrews are flimsy plastic glued to metal. The plastic breaks off after a few "rental" jobs. I travel with pliers to deal with the broken hardware.
    David Winters
    DP
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  4. #4  
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    Thanks guys. Appreciate all the feedback.
    ___________
    Nick Morrison
    Director, Producer, Writer (WGA-East)
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  5. #5  
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    I've used all these, and have a lot of them. My go-too's for tungsten are always the arrilite 750 plus (pretty powerful little guy) the 300 fresnel, the 150 kickers, and a nook light of some sort. They are all just easy and you can take them anywhere and still use the typical wall outlets. I usually carry a few mini litepannels which are great for hiding behind plants, bars, dashboards, etc. For the HMI's I love the jokers, but they're super pricey like all daylights. I have a few Kino's but they pretty much collect dust unless im shooting interviews or greenscreening...they're just so friggin big, I tend to just leave them. keep in mind too the kino's have practically no throw. if you can afford it, I'd dich the kinos and get a couple jokers with a chimera. just my 2 cents good luck,
    trey
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  6. #6  
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    I would buy the Kino Celebs at this point in time. they travel soooo much better than other kino fixtures due to tubes breaking. I always have to delamp my Diva 400 when I travel. Correct advice to pass on the diva 200's
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  7. #7  
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    Interesting about the Kino Celebs, they look amazing. If I were togo on a budget, how about the Cool Lights 600 Leds? At $450 a pop they seem pretty hard to beat, for an in-house kit that won't be rented.

    For a small, portable kit that we can shoot in-house in our small studio or travel around NYC with, I was thinking of this:

    Cool Lights LED 600 - Spot w/ Softbox - $450
    Cool Lights LED 600 - Flood - $450
    Cool Lights LED 250 - Spot - $250

    And then I could expand that out with an extra 600 flood and 250 spot, and eventually a 1200 bi-color panel. For a total package that looks like this:

    Cool Lights LED 600 - Spot w/ Softbox - $450
    Cool Lights LED 600 - Flood - $450
    Cool Lights LED 600 - Flood - $450
    Cool Lights LED 250 - Spot - $250
    Cool Lights LED 250 - Spot - $250
    Cool Lights LED 1200 Bi-Color - $1,200

    All combined for about the price of one Kino Celeb.

    Thoughts? Am I putting too much faith in LED and Cool Lights? Or am I onto something? We have a small Arri Kit already, so to me portability, low heat, and creative options are most important.

    Feedback deeply appreciated.

    Thanks guys for all your comments so far. Been very helpful.
    ___________
    Nick Morrison
    Director, Producer, Writer (WGA-East)
    ASTRONAUT (Partner)
    www.astronautnyc.com
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  8. #8  
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    Light quality from a CDM150 with softbox is much nicer than the LCD600, for keying the typical interview. Weight is about the same. I think your best off with a mix of CDM150 and LED. I'm about to depart to Monterey and Alaska to shoot interviews with the coolights setup I listed above.
    David Winters
    DP
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  9. #9  
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    I saw the arri kit at NAB and fell in love. If you really don't mind spending $5k you can squeeze in the ac/dc kit and a couple of stands. If you don't need battery option you can get the same lights without the batteries for around $2800. The variable temperature is really great.

    Arri LoCaster LED Panel AC/DC Double Kit 553958 B&H Photo Video

    Arri Locaster LED Panel AC Double Kit (100-240VAC) 553952 B&H
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    Pretty good set of Canons.
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  10. #10  
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    Quote Originally Posted by Sam Edwards View Post
    I saw the arri kit at NAB and fell in love. If you really don't mind spending $5k you can squeeze in the ac/dc kit and a couple of stands. If you don't need battery option you can get the same lights without the batteries for around $2800. The variable temperature is really great.

    Arri LoCaster LED Panel AC/DC Double Kit 553958 B&H Photo Video

    Arri Locaster LED Panel AC Double Kit (100-240VAC) 553952 B&H
    I own the Arri H-3 Hybrid kit and really love it. I can put the Arri LED's up against my Kino 4-banks or Diva's and they are equally as good, in terms of quality of light. The H-3 hybrid kit is so nice because of its versatility. Great for using during an interview setup, but also in those close quarter situations like in a car. Plus, I can power the LED's off my RED bricks which makes the lights hand-held if needed. The H-3 kit comes with 2 locaster LED's and 2 Arri 150's, thus the "hybrid" name. I recommend switching out the 150w bulbs for 200w bulbs. Also, you can double the intensity of the LED's with the intensifier (accessory option). I think I paid around $3600 for the entire kit.

    http://www.creativelabrentals.com/lights
    www.creative-lab.com | Epic # 529 | RED One MX 388
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