Luigi, have you tried the adobe media encoder to transcode to ProRes?
really interested.
Thanks.
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Luigi, have you tried the adobe media encoder to transcode to ProRes?
really interested.
Thanks.
I don't think this will be for everybody. That's why they are offering both options. For those who have software budgets built in, this seems like a nice way to stay current and also get some additional services out of the deal, not to mention some flexibility with the licensing both in terms of Mac/PC and putting it on more than 1 machine. But for some, a boxed version is a better investment. In order to have the latest and greatest which seems to be more of a necessity today due to formats continually changing you'll probably need to invest yearly either way. Again, not everyone will have these needs but for those that do, it's good to have options.
Lifehacker punched the numbers. Here's what they found:
http://www.youtube.com/watch?feature...O0JrR8M#t=379s
http://lifehacker.com/5904416
And if you run multiple seats maybe going with both approaches is an interesting way to do it. Have boxed version for one of your systems, and a Cloud license for one or two others. That way, you always have the boxed version when you need it and get some additional seats running for minimal upfront investment.
To a degree I understand where you are coming from Scott. But if a $30/month software subscription flips your businesss upside down that points to a deeper operating problem. We are in a business where clients want the latest. Rates must reflect that ongoing capital investment. If that's not the situation now, then priority number 1 should be finding better clients.
Haha! Yes, better clients. :-) I guess the example was a little flawed, but we could be talking about one seat for an Indy film maker who is paying for the stuff himself, a poor wedding guy trying to keep up with fast moving and expensive technology (who definitely needs better clients) or a small post house with needs for Avid, FCP and Premiere, or multiple Premiere seats. My example was a generic hypothetical meant to show what the lifehacker article shows: in two years the lease costs more than a traditional upgrade. Some will take advantage of tax benefits too that can make leasing beneficial. As Steve pointed out it's not for everyone.
If you're referring to CreativeCow you may be right. But my question wasn't totally lost. Kevin McAuliffe posted a tutorial on Extruding Shape Layers.
I still have a long list of bugs to share but Ill wait till its officially out.
I have a small list growing for Premiere Pro but I have enough NLE's here to deal with :)
Off topic a little but CUDA 4.2 helped speed things up in AE as far as the new RayTracer goes.
It is no where near Maya/Max but still useable :)
If, like in your example, money was this tight for me I doubt I could even afford to buy the full license anyways :)
$30/$50 a month is less than most people's phone bill. Less than their cable bills. It's $1 a day @$30 a month! haha
Really, it's about having choices. If you want to upgrade or get a full license go for it. I much prefer the subscription option.
The sub option has been around for years with Digidesign.
Works for most of us that have used it.
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