In addition to the wireless video, have you thought of a simple monitor/EVF cable extender? An extender that allowed to take the LCD/EVF to the limits of the Redmote range would make already a big difference.
One of my old wishes since the early days of R1 is the possibility to add an R3D frame with adjustable opacity as a layer above the monitor image.
Dumb question, but, do you think the Vmount for redmote can be mounted
(with the 2 hole, not only one) on other cheese plate, like Viewfactor Stealth Side Cheese Plate ?
Still in the pipe.. but focused on DRAGON right now.
The Rocket is a PC card you put in your Mac or PC and it accelerates the playback and conversion of your 4k/5K RED footage.. so you can play back footage in real time and transcode in realtime.
The stills mode concept has changed. It seemed like a good idea way back when, but in practice, almost all of the still photographers just shoot motion and pull stills from the feed... it is just a way better way to do it. For sharper frames, people use HDRX in a different way, they use the HDRX track that has a narrow shutter for pulling sharp stills.. and then use the normal track for video with motion blur.
Any news on the Ipad app?
Last edited by Scott Crawley; 04-17-2012 at 12:10 PM.
Thanks. Yes, Dolby and Texas-I are highly secretive about their technologies. I work in an independent cinema and when we went digital even the installation technicians said they weren't told everything. We currently use the Christie CP2000 projector but the RED projector looks comparitively compact and prompted me to wonder if a DOLBY filter wheel would fit inside. The cost of the glasses is also a big issue for us. Are they cheap eniough to sell to patrons? Are they equal to better than DOLBY? Will there be a royalty charge like REAL-D adds, etc
If there's no stills mode coming, will we be able to set markers during the shoot?
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