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  1. #271  
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    Any update here, even a "No Comment" would be a most welcomed news.
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  2. #272  
    Senior Member Tom Greenberg's Avatar
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    We have a small (160 seat) theater in our building that needs a new projector. Hopefully we'll have the budget to install a replacement late this year. It is quite a nice little room with stadium seating and about a 50'-60' throw from the projection booth to the screen. I would love to spec a REDRay Projector for this theater. Anyone know if it would be suitable for this application? And also a rough idea of price and availability?
    Cinematography & Post-Production Faculty, Compass College of Cinematic Arts, Grand Rapids, MI, USA
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  3. #273  
    Member Benedict Heinzl's Avatar
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    I don't know if anybody already asked but as we now know it is 3D via polarisation. Is it linear or circular?
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  4. #274  
    Appeared to be circular, based on the glasses at NAB... Hopefully circular.
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  5. #275  
    Member Benedict Heinzl's Avatar
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    I hope it is circular. I don't want this tilt my head and get headache feeling anymore :/

    (BTW. its almost 4 Months now. Any news?)
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  6. #276  
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  7. #277  
    Oh, it isn great news! I hope price would hold. My next RED purchase along RED RAY.
    Milan Nikolic :)
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  8. #278  
    Senior Member Tim Whitcomb's Avatar
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    $9950 with built in redray was target price at NAB 2012- and I hears something about needing additional
    "laser pumps" for longer throws that I would presume raise the price -

    See Jims signature for accuracy of above :)
    Kind regards,

    Tim Whitcomb
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  9. #279  
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    This is going to do to post production what the Red One did to production. It needs, however to keep its target and not get too late on the game! Holding up on a projector for my own independent post Room. Waiting for the redray !
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  10. #280  
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    A lío bit of Newsweek on this world be great. Specially since we are on the edge of buying a new PJ and we are holding out for this one, but we won't be able to hold forever!
    ________________________________________
    Frank Cueto
    Reaktor Post & Transfer
    San Juan, Puerto Rico

    Baselight Color Correction and DI, DaVinci Film Transfers (S35,35,S16 & 16) & Tape to Tape
    Smoke Advanced & Smoke HD ON-Line Suites
    (3) GFX/VFX Suites
    (2) Final Cut Pro Suites with HD-SDI Monitoring and IO
    ProTools 5.1 HD Suite, with HD-SDI monitoring/IO,recording booth & FX-Music Libraries
    (2) On-Set workstations powered by RED Rocket™ with 16TB RAID 6 storage & Dual-ESata CFReaders
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