Big new release...

[Ryan B]

So I get my Red Scarlet and all ready to learn the WF and your telling me It's all new now. Timing couldn't be better..! =)

[Rob Ruffo]

What will be the most efficient way to move footage from Red Cine X into Adobe Premiere, so I can use Red Gamma3, Alchemy, etc? I am editing at 4K, so DPX is not really an option. It bogs my system down too much. Premiere cannot import EXR. I am on a PC so ProRes is not an option.

Cineform is great, and supported just about every software (but not by networks, unfortunately - so you still have to transfer to Prores or HdCam tape at the end for broadcast). I've found it pretty much lossless if you stick to the highest bitrates. About $135 or so. 10 bit.

[Zakaree Sandberg]

using alchemy negates the red rocket performance though doesnt it?

I've ran test and it seems alchemy took up some very slow render times..

[Stephen Gentle]

Sounds cool, can't wait to play with it.

+1 to Tom Lowe's questions. How do we get this in the Adobe workflow?

Knowing Adobe, I bet the answer will be 'Buy the next version of Creative Suite'.

Well as Jim said the SDK will be updated to reflect RG3/RC3 so ideally Adobe would update Premiere with a (dot) release to take advantage of the new color science.

Ha ha! If only...

[Michael Thornton]

using alchemy negates the red rocket performance though doesnt it?

I've ran test and it seems alchemy took up some very slow render times..

I wonder if Alchemy is a CPU or GPU process?

One of those two can slow your rendering down.

GPU or CPU?

[Yuval Shrem]

Cineform is great, and supported just about every software (but not by networks, unfortunately - so you still have to transfer to Prores or HdCam tape at the end for broadcast). I've found it pretty much lossless if you stick to the highest bitrates. About $135 or so. 10 bit.

1) Not everything is made for Broadcast
2) "Premium" is $299 for 12bit 444 and Cineform RAW (If it's for the big screen, 422 vs 444 makes a big difference. RAW support is also not something to ignore...)

*(Looks like their website is temporarily down right now, but I'm sure it will come back shortly).

[John Bannister]

This past weekend and as a complete newbie to working with Redcine-X I decided I love the application, it's workflow is naturally intuitive and what it can do with my footage is breathtaking. ....to think that this is about to get even better is incredible! This is why I remain a self proclaimed red fan. Awesome work team!

[Jarek Zabczynski]

I keep forgetting that I have a RED camera to use this stuff on. Everyday is like Christmas!

[Robert Berger]

I also have nxt to my Epic-x "ED" still Red One "FRED" does this work for my RED ONE too???

[Rob Ruffo]

1) Not everything is made for Broadcast
2) "Premium" is $299 for 12bit 444 and Cineform RAW (If it's for the big screen, 422 vs 444 makes a big difference. RAW support is also not something to ignore...)

*(Looks like their website is temporarily down right now, but I'm sure it will come back shortly).

That's true. Still, $299 is roughly $0 is the pro software world, especially if it solves a major problem.