Almost forgot. Playback is not synchronized between the cameras.
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Almost forgot. Playback is not synchronized between the cameras.
Yeah. Playback of high speed shots a half second out of sync can be quite surreal. However, seeing the high speed played back immediately is invaluable.
Can somebody confirm that the moded Denecke SB-T for 3D is a valid option for high framerate on Epic as a factor of 25fps?
Thanks
I have many hours of 3D on my Scarlet rig using a modified Denecke SB-T and it has been ROCK SOLID for sync and timecode.
Thanks David, but since you're using it with Scarlet I imagine you don't go in really high frame rates.
Is somebody using it with Epics up to like 250 or 300fps with rock solid results as well?
I am just about to purchase an AMBIENT ACL 204 for Time code generation and syncing 2 x Epic Xs on a 3Ality Technica Atom rig. I have the following cables from RDCC. Can you tell me if I will require any other cables or accessories to make this work?
1 X Ambient ACL 204
1 x Master/Slave GIG-E cable (4')
2 x 3BNC-To-OO Sync cables
I dont have experience with the 204, but since they are purposefully supporting dual load, I would say this is the correct shopping list with a few additions needed.
You will need the T adapter for the genlock, and two of the TC lemo to BNC adapter cables (not a RED item), or one cable and a T. Timecode handles the T-ing better. like these
http://www.ambient.de/en/produkte/am...l/ltc-out.html
http://www.performanceaudio.com/buy/...s/XL_LB2/27072
I have used the second one.
We have found the old SB-T and the new upgraded one to both work the same. Are we just getting lucky with the old one? Trying to decide if we should upgrade all units or keep going with what is already working.
In my opinion, you are getting lucky. If you can, I would recommend upgrading so you are ensuring the proper signal levels.
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