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  1. #41  
    Senior Member J Davis's Avatar
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    is it 270 degree shutter? (compromise for motion blur and tack sharp stills)
    J.Davis
    jdMAX.com
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  2. #42  
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    Quote Originally Posted by Jarred Land View Post
    heh heh heh.. wait till you have the R90.....
    hey, what´s the r90 ???
    did i miss something ?
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  #43  
    Fire Chief Jarred Land's Avatar
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  4. #44  
    I haven't heard about the R90 in like a year.

    I hope it's still coming.
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  5. #45  
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    Wow. looking good. but photoshoots used to be a camera and a laptop. now photographers need to get to the gym again, haha!
    Still wondering about that workflow though. do you shoot with HDRx to get to normal exposure times like 1/150th 1/200th?
    Can anyone PLEASE write something about this workflow? because i can't imagine that you can expose for 1/50th at say ISO320 and still get that clean (ISO100 feeling) in a 1/200th at ISO800.
    Please explain to me how this works. there HAS to be a compromise in here somewhere. Don't tell me there ain't.
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  6. #46  
    Senior Member Parker Powers's Avatar
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    Quote Originally Posted by Jarred Land View Post
    Yes please, beautiful!

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  7. #47  
    Quote Originally Posted by Jarred Land View Post
    Holy crap this is awesome!!!
    Eric J
    Creative Director/Artist Group Agency
    Designer/CEO/cineZEN USA - www.cinezenusa.com
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  8. #48  
    Senior Member Shawn Nelson's Avatar
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    Nice! Any idea price and ETA?
    "Only those who attempt the absurd will achieve the impossible." -MC Escher
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  9. #49  
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    Quote Originally Posted by Jarred Land View Post




    huhhhhh..., hell how could i miss that...

    when. how much.
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  10. #50  
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    Quote Originally Posted by Phil Holland View Post
    Neat. Seems like there's a real push for DSMC to penetrate the print world even more. I'm really curious how Scarlet is going to sneak into my stills workflow. Got some ideas and it's inspiring to see what others are doing and have done.
    I'm wondering the opposite, how my stills work flow is going to creep into my filming. I expect experimentation in stills with scarlet is going to really push my knowledge of the camera and lead to much better work in cinematography. I never felt I could just shoot pretty video, it never made sense to me, and as a result I developed many bad habits. DSLR's helped a lot to break that. I expect scarlet to push that further.
    Director|DP|Producer
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