Mark Seliger - Lara Stone - Vogue Russia

[AnthonyFlores]

I'm going to guess that it's the second last portrait shot, only because it looks more staged.

I agree, also because has that "macro" kind of look that often comes from MF cameras with lenses that can focus within a meter or so.

[Matthias Hutter]

I agree, also because has that "macro" kind of look that often comes from MF cameras with lenses that can focus within a meter or so.

That's mostly due to the lower magnification factor of bigger sensors.
The big amount of sharpening and compression makes it difficult for me to discern which is which.

[Mark Andersen]

Third shot as really shallow DOF, I'll go with Hassy on that one.

[Jon Thomasberg]

<jingle>
"One of these things just doesn't belong here!!..
One of these things just isn't the same!! .... Now it's time to play our game!"
</jingle>
hahahaha

Honestly Jarred -- no I cannot tell which. The desaturation isn't helping matters either. But I guess that is the point -- that its hard to tell a frame grab from an Epic vs that of a MF Hasselblad stills cam.

[Matt Coats]

Good to see more of these editorial shoots happening on Epic. A shame the print side of the fashion industry claims to be so broke, there could be so many more of these.

[Jarred Land]

They have been telling photographers they are broke for 50 Years now.... Somehow the cream of the crop still is out there shooting 250 days a year.

[Sanjin Jukic]

Would be nice to know which lenses the photograph Mark Seliger was using with Epic?

[Robert Frank]

Good to see more of these editorial shoots happening on Epic. A shame the print side of the fashion industry claims to be so broke, there could be so many more of these.

Once EPIC is out in force I suspect it will become THE cam for these kinds of jobs.

Hey Matt, still working with DTouch?

[Jarred Land]

Would be nice to know which lenses the photograph Mark Seliger was using with Epic?

RED.

[Matt Coats]

Once EPIC is out in force I suspect it will become THE cam for these kinds of jobs.

Hey Matt, still working with DTouch?

Hey Robert, no I've picked up the family and moved to SF area. Those people who are shooting 250 days a year require a support staff 365 days a year. Taking a break from that to work on some new projects, currently hammock testing and house remodeling ;)