Thread: # 507 in Jakarta, Indonesia

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  1. #41  
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    Quote Originally Posted by Jose Poernomo View Post
    Will be shooting a comedy in Bali using RED
    hopefully starting mid June.

    have tested and will use FCP -> crimson -> redcine -> Base Light

    wish me luck
    Base Light does not support native Redcode files as fasr as I know, and outputing DPX or Tiff files from Redcine is very time consuming though for 60 mons show !!!

    Stewart
    WOW Holdings
    HKG
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  2. #42  
    Senior Member percy fung's Avatar
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    Quote Originally Posted by pvillow View Post
    Is there any feature film that entirely shot with RED from Asian countries yet?

    Percy, which one is better if we dealing with R3D materials:
    Printing to camera negative stock or intermediate film?

    Anyone will go to Broadcast Asia event?
    Sorry missed this mail

    We are paly a major film work role in Indonesian Movie.
    My first Movie with Indonesia is way 28 years ago..
    The Cindarella, musical with Indonesia kids.
    I work for Vfx and animation.

    Please contact me of line
    percy@digitalmagic.com.hk

    Currently we think REDAlert with Log and trasfer is a good workflow
    Awaiting for the excitment with Build 16

    Percy
    RED film work, Digital Cinema DCDM/DCP mastering, and 3d Stereo works
    RED 1647, 1648, with arri kits and Zeiss lens set
    Friend with 1304
    Hong Kong
    :bye2:
    Percy Fung, www.filmmagic.com.hk
    percy@filmmagic.com.hk
    Baesd in Hong Kong, 1 RED Dragon, 4 RED Epic X and 5 MX
    Film crew and services. 3D stereo native filming and post, with 20 3D stereo Movies credit. Digital Film post, DI, DCP mastering, and 2x 3D stereo Digital Cinema, 3D stereo rigs, and 360 Panorama rig
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  3. #43  
    Senior Member percy fung's Avatar
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    For Indonesian team

    Look for Pak Wong to see our RED 35mm filmclip
    Advise us what you feel??
    Percy Fung, www.filmmagic.com.hk
    percy@filmmagic.com.hk
    Baesd in Hong Kong, 1 RED Dragon, 4 RED Epic X and 5 MX
    Film crew and services. 3D stereo native filming and post, with 20 3D stereo Movies credit. Digital Film post, DI, DCP mastering, and 2x 3D stereo Digital Cinema, 3D stereo rigs, and 360 Panorama rig
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  4. #44  
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    Hi Percy

    Does Pak Wong provide 4K Film Print from RED ONE. Or we have to take it to Digital Magic ? We will have RED ONE footage soon and trying to figure who can done it better and help us to do it as show case from our camera.
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  5. #45  
    Senior Member percy fung's Avatar
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    Quote Originally Posted by Rivai View Post
    Hi Percy

    Does Pak Wong provide 4K Film Print from RED ONE. Or we have to take it to Digital Magic ? We will have RED ONE footage soon and trying to figure who can done it better and help us to do it as show case from our camera.

    Pak Wong is our consultant in Jakarta, ie we have other consultant in other Aisan country. He would be in Hong Kong next week.

    So you could go either straight to us, or through Pak Wong.
    Cost is the same.
    Pak Wong has a lot of experience in solving various arrangements and film post problem.

    I really would like to start to work for the first RED feature from Indonesia..
    Send ne some clip when ready, I will ask Pak Wong to show you a 35mm Cinematic film clip in Jakarta.

    Percy
    :bye2:
    Percy Fung, www.filmmagic.com.hk
    percy@filmmagic.com.hk
    Baesd in Hong Kong, 1 RED Dragon, 4 RED Epic X and 5 MX
    Film crew and services. 3D stereo native filming and post, with 20 3D stereo Movies credit. Digital Film post, DI, DCP mastering, and 2x 3D stereo Digital Cinema, 3D stereo rigs, and 360 Panorama rig
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