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  1.   Click here to go to the next RED TEAM post in this thread.
    Im pleased to announce UNDERWORLD 4 will shoot EPICs.

    "We could not be more pleased to be able to continue with UNDERWORLD 4 a relationship we began with RED more than 3 years ago when we purchased two RED Ones (serial numbers "N" and "T") to shoot a picture called GAMER.

    In the years since, we've used those two cameras on pretty much every show we've produced - we are just finishing-up the DI on LINCOLN LAWYER and it looks spectacular.

    With the EPIC, RED has clearly elevated their game into the stratosphere - all the tapeless workflow efficiencies are still present but the image quality is now every bit as staggering as the rumors we've all heard. And being an S3D show, that we can put two EPICs on an Atom rig and hand-hold a shot, frees us to both practically and creatively shoot the picture exactly as we want.

    I Know it's been said before but, plain-and-simple, for both film-makers and ultimately the audience, the Epic is a game-changer."

    James McQuaide
    Senior VP, Production
    Lakeshore Entertainment
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  2. #2  
    Senior Member KETCH ROSSi's Avatar
    Join Date
    Jan 2007
    Los Angeles USA | *Now in Miami Beach*
    Oh MAN, this is getting WOW and more WOW by the DAY!! CONGRATS RED!!!
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  3. #3  
    That exciting! Only moving forward.
    #1 Production Used Sound Collection
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  4. #4  
    Junior Member
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    Apr 2010
    Wonderful to see the list grow.
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  5. #5  
    Moderator David Battistella's Avatar
    Join Date
    Apr 2007
    Florence, Italy
    Congrats is in order.! Again. Really happy for you guys...

    "Any man who can see what he wants to get on film will usually find some way to get it; and a man who thinks his equipment is going to see for him is not going to get much of anything."
    hunter s thompson
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  6. #6  
    Senior Member Sanjin Jukic's Avatar
    Join Date
    Dec 2006
    Vienna, Austria
    Great news!

    Congrats Red!!!
    "There is no point in having sharp images when you've fuzzy ideas."
    Jean-Luc Godard.

    Dynamic range is, after all, the measurement between well saturation (photosite blowout) and noise floor.
    Thom Hogan
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  7. #7  
    Senior Member Jason Wingrove's Avatar
    Join Date
    Sep 2007
    Sydney Australia
    Excellent. Who's DP'ing? Hopefully my good friend Ross Emery who shot Underworld: Rise of the Lycans and just wrapped "Bait' with Stereo R1's ?

    Jason Wingrove
    Director, Cinematographer

    Twitter: wingrove
    Cohost: The RC Podcast
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  8. #8  
    Senior Member Benoît-Joan Clariana-Roig's Avatar
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    Sep 2010
    I'm looking forward for that movie. Seems that DSMC system is getting more and more popular. ^^
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  9. #9  
    Senior Member sergio arguello's Avatar
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    Aug 2008
    Buenos Aires,Argentina Los Angeles
    Very Nice...good news Jarred!!!
    sergio Arguello:
    Epic-M 459,Epic-X 751
    RED Rocket™™™
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  10. #10  
    Senior Member NormLi's Avatar
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    Jul 2007
    Vancouver, BC
    I know it's being shot in Vancouver soon.
    Norm Li, csc

    DRAGONS #490, #863
    EPIC-X #670
    5x ALEXA EV packages

    + 2x Cooke S4/i Set (9 lenses), Angenieux Optimo 24-290mm, Optimo 28-76mm, TLS Cooke Speed Panchros (6 lenses), Lomo Anamorphic Roundfront Set (4 lenses), O'Connor 2575's, Arrihead MK1, Arri MB18's, MB14, LMB5's, FF4, FF5-Cine, Digital Bartech, Panasonic/TVLogic/SmallHD LCDs, 3'/5' Overkeepers, RED Rocket, Freefly MoVi M10 & M15, etc.
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