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  1. #561  
    Senior Member Chase M. Wrenn's Avatar
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    Well after some scooping, I guess we'll know some more once the camerarentalz.com website updates. Apparently they're getting 4 of the first 10 machined EPICs. But I also noticed something I hadn't seen before...they list the Scarlet 2/3 as being able to shoot 172 fps. Has this been confirmed somewhere? You can see it listed on their rental request form here:

    http://redcameranetwork.com/contact/

    Located at the bottom...I just got even more stoked about the Scarlet if this is true...
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  2. #562  
    I'll post footage as soon as I can. Promise. I'm runnin' and gunnin' right now.

    I have more behind the scenes pics - I'll try to post them in a few hours.

    Screengrabs & footage in a few days hopefully. Please be patient. I'll be in the mountains without a Red Rocket - I'll do my best.

    I am in love with this camera. It's too easy to shoot. 1K more pixels is a WORLD of difference. The detail in the shots when projected are just incredible.

    I'm looking forward to renting the biggest damn digital screen in NYC in late Jan and projecting some EPIC footage from a 4K DCP.
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  3. #563  
    Senior Member paulherrin's Avatar
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    have a nice trip! bring us along when you can.

    and we definitely need some souvenirs!

    oh, and thank you, mark.
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  4. #564  
    Moderator Gunleik Groven's Avatar
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    Give us a date... -:)

    Would be nice to see some side by side R1MX and Epic footy too that tells the difference. With and without HDRx...

    Envy all over!
    Life is good. So is RED...

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  5. #565  
    Quote Originally Posted by Shawn Nelson View Post
    Good point, and this just occurred to me. Why was Epic-M stamped as 006? I thought Jim and Jarred said that EpicMs were all line jumpers that exist prior to, above and beyond and separate from the Serial #1->8000+, which will either be Stage 1->4.

    EDIT: Though Jim did say Epic-Ms were going by serial #. But, I'm pretty sure Peter Jackson gets his 30 before the serial #s (bummer!! I'd have loved to have rented my Epic to PJ :-)
    Jim got RED ONE serial numbers 1-5, so it would be a little odd if he didn't get EPIC-M Serial numbers 1-5. Being a camera collector and all.

    D
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  6. #566  
    Senior Member Curran Giddens's Avatar
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    Quote Originally Posted by David Dennis View Post
    Jim got RED ONE serial numbers 1-5, so it would be a little odd if he didn't get EPIC-M Serial numbers 1-5. Being a camera collector and all.

    D
    Jim has more than 1-5 too. He has like 30 that are named after cities.


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  7. #567  
    Senior Member Chase M. Wrenn's Avatar
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    Wow...all that equipment fits in a nice little Oakley bag...classic...
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  8. #568  
    Senior Member Justin O'Neill's Avatar
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    Quote Originally Posted by Chase M. Wrenn View Post
    Well after some scooping, I guess we'll know some more once the camerarentalz.com website updates. Apparently they're getting 4 of the first 10 machined EPICs. But I also noticed something I hadn't seen before...they list the Scarlet 2/3 as being able to shoot 172 fps. Has this been confirmed somewhere?
    Just to clarify, we are renting out Epic-Ms for the likes of Blair and Steve Tammi, the ones we actually own will be cast Epics.

    172fps bursts was in the original 2/3" Scarlet spec but the number will likely go up or down before it ships.
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  9. #569  
    Senior Member paulherrin's Avatar
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    that 172 sounds oddly familiar, but i can visually remember the 120fps, 150 blast.

    i doubt that number will go down... do also remember hearing they thought they might be able to get more out of it...

    i'd love for more frames :)
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  10. #570  
    Senior Member Sanjin Jukic's Avatar
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    Quote Originally Posted by Mark L. Pederson View Post
    I'll post footage as soon as I can. Promise. I'm runnin' and gunnin' right now.

    I have more behind the scenes pics - I'll try to post them in a few hours.

    Screengrabs & footage in a few days hopefully. Please be patient. I'll be in the mountains without a Red Rocket - I'll do my best.

    I am in love with this camera. It's too easy to shoot. 1K more pixels is a WORLD of difference. The detail in the shots when projected are just incredible.

    I'm looking forward to renting the biggest damn digital screen in NYC in late Jan and projecting some EPIC footage from a 4K DCP.
    Thanks Mark.

    Waiting!!!
    "There is no point in having sharp images when you've fuzzy ideas."
    Jean-Luc Godard.

    Dynamic range is, after all, the measurement between well saturation (photosite blowout) and noise floor.
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