This is interesting.
I work a bit for nrk.no, and most of our major in-house, and externally produced series have been shot on red since april 2008
We have consistently had better results when grading from DPX's that are well prepared than with the RAW tools. Despite that we've been planning to go RAW online for most of the two upcomming productions, they'll go online next fall (9 months of shooting on both...)
I really have come to like the EXR to Nuke thingy. works fantastically and also gives an effortless colorhandling between grading and VFX. All thanks to redlogFilm.
Would have been interesting on a breakdown on your workflow on a scene. I know I am asking a lot, but the info from you and others is very much apprechiated...