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  1. #31  
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    Apr 2007
    Quote Originally Posted by Subhadip Sen View Post
    That makes it one of the most expensive movies ever made, if not the most.
    That's a tie for most expensive movie ever shot with..."Pirates of the Carribean: At World's End" (but of course they're squeezing 3D out of the same budget!). Congratulations to really are playing in the major leagues now!!
    David Wyatt

    Red One MX #247
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  2. #32  
    Senior Member Sanjin Jukic's Avatar
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    Dec 2006
    Vienna, Austria

    Pirates of the Caribbean: On Stranger Tides (2011)

    Rob Marshall - Director,

    Technical Specifications

    Color info: Color
    Camera: Red One Camera (MX sensor)
    Printed format: 70 mm (horizontal) (Kodak Vision 2383) (IMAX DMR blow-up) (dual-strip 3-D)
    Aspect ratio: 1.44 : 1 (IMAX 3-D version)

    IMDb Pro>>>

    "Alice in Wonderland": Tim Burton, Dariusz Wolski.

    Dariusz Wolski - Cinematographer

    Dariusz Adam Wolski (born 1956) is a Polish film and music video cinematographer.
    He is best known for his work as cinematographer on the Pirates of the Caribbean film series.
    He has been a member of the American Society of Cinematographers since 1996 and a member of the Academy of Motion Picture Arts and Sciences since 2004.

    Award Nominations: 1995 - American Society of Cinematographers Award for Outstanding Achievement in Cinematography in Theatrical Releases - Crimson Tide;

    Film cinematography credits:
    Dark City A Perfect Murder
    Pirates of the Caribbean: At World's End
    Pirates of the Caribbean: Dead Man's Chest
    The Crow
    Romeo Is Bleeding
    Pirates of the Caribbean: The Curse of the Black Pearl
    Crimson Tide
    Sweeney Todd: The Demon Barber of Fleet Street
    Namastey London

    Date of birth: 1956;

    Gender: Male

    Country of nationality: Poland

    Place of birth: Warsaw

    Profession: Cinematographer
    "There is no point in having sharp images when you've fuzzy ideas."
    Jean-Luc Godard.

    Dynamic range is, after all, the measurement between well saturation (photosite blowout) and noise floor.
    Thom Hogan
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  3. #33  
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  4. #34  
    Quote Originally Posted by joshua csehak View Post
    13 cameras, though? Yikes! How on earth do they coordinate them?
    I have no idea... ; )

    Quote Originally Posted by Michael McVicar View Post
    Wait till they find how good the footage is in post.
    Why wait for post?


    Lucas Wilson
    ASSIMILATE, inc.
    LA, CA, USA
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  5. #35  
    Comic-con clip:
    watch 1080p

    I guess it was shot on MX :)

    Looks perfect ;)

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  6. #36  
    "We tested ALL the digital camera's available and against film and we chose the RED MX for Pirates of the Caribbean 4."

    I haven't heard much from the haters recently. Looks like Red is here to stay.
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  7. #37  
    There are many haters on Roger Deakins's forum and

    Epic will shut their mouth very soon... :)
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  8. #38  
    Quite an endorsement!

    Somehow I missed that the film had a $300M budget too. Anyway, I'm a big Pirates fan. Can't wait. Nice teaser for Comic-Con (lots of good stuff at Comic-Con this year, it seems).
    - Jeff Kilgroe
    - Applied Visual Technologies, LLC | RojoMojo
    - Just me and my 8K Monstro VV kicking ass.
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  9. #39  
    Senior Member Stephen Strangways's Avatar
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    Nov 2008
    Hamilton, ON, Canada
    Quote Originally Posted by Shane Betts View Post
    Shame the end credits will read "Shot on Panavision Cameras".
    The last time I checked (quite some time ago now,) the contract wording was still that you had state "Filmed with Panavision Cameras and Lenses." Have they finally dropped "filmed"?

    And of course, you also had the counterpart "Filmed in Panavision" if you shot anamorphic 2.40:1.
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  10. #40  
    Senior Member KETCH ROSSi's Avatar
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    Jan 2007
    Very Nice Jim!

    Actually POTC4 was what helped me make a new South African Film School owned by a Chinese Producer, change their mind in Buying a New Red One instead of the Alexa ;~)
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