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  1. #21  
    Another one in the box... a very big one.

    Congrats team!.
    "¿Render?... beer time!
    two Epic-X, 24"FSI 10bits, 50"Panny, Some computers; Work as Colorist, DIT and Tech Counselor.
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  2. #22  
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    Mar 2009
    Mumbai, India
    That makes it one of the most expensive movies ever made, if not the most. Certainly the most expensive movie ever shot on digital. Clearly, budget does not play a part here. RED M-X was chosen because the makers deemed it to be the best solution. A major testimonial for RED, congratulations!
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  3. #23  
    game....set...and match.
    Sidney Lexy Plaut, DFF
    Director of Photography
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  4. #24  
    Senior Member Shane Betts's Avatar
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    May 2007
    Melbourne Oz
    Shame the end credits will read "Shot on Panavision Cameras".
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  5. #25  
    Senior Member gbalaji's Avatar
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    Dec 2006
    Chennai, Tamil Nadu, India
    Hope to have EPIC being rolled out for this motion picture! A perfect example for S3D films to shoot a modular design cameras.
    Digital Cinema Designer (from Shoot to Delivery)
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  6. #26  
    Quote Originally Posted by Shane Betts View Post
    Shame the end credits will read "Shot on Panavision Cameras".
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  7. #27  
    REDuser Sponsor Chris Parker's Avatar
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    Jan 2007
    nice work RED.
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  8. #28  
    Senior Member Richard Foster's Avatar
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    Jun 2010
    USA, Caribbean, England
    As others have stated - a great victory - well done! The progress RED has made in image recording technology is nothing short of a breakthrough.
    Richard Foster
    RED MX #1058 "Secretariat"

    If the facts don't fit the theory, change the facts. - Einstein

    Carpe Diem
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  9. #29  
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    Apr 2007
    Quote Originally Posted by Subhadip Sen View Post
    That makes it one of the most expensive movies ever made, if not the most.
    That's a tie for most expensive movie ever shot with..."Pirates of the Carribean: At World's End" (but of course they're squeezing 3D out of the same budget!). Congratulations to really are playing in the major leagues now!!
    David Wyatt

    Red One MX #247
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  10. #30  
    Senior Member Sanjin Jukic's Avatar
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    Dec 2006
    Vienna, Austria

    Pirates of the Caribbean: On Stranger Tides (2011)

    Rob Marshall - Director,

    Technical Specifications

    Color info: Color
    Camera: Red One Camera (MX sensor)
    Printed format: 70 mm (horizontal) (Kodak Vision 2383) (IMAX DMR blow-up) (dual-strip 3-D)
    Aspect ratio: 1.44 : 1 (IMAX 3-D version)

    IMDb Pro>>>

    "Alice in Wonderland": Tim Burton, Dariusz Wolski.

    Dariusz Wolski - Cinematographer

    Dariusz Adam Wolski (born 1956) is a Polish film and music video cinematographer.
    He is best known for his work as cinematographer on the Pirates of the Caribbean film series.
    He has been a member of the American Society of Cinematographers since 1996 and a member of the Academy of Motion Picture Arts and Sciences since 2004.

    Award Nominations: 1995 - American Society of Cinematographers Award for Outstanding Achievement in Cinematography in Theatrical Releases - Crimson Tide;

    Film cinematography credits:
    Dark City A Perfect Murder
    Pirates of the Caribbean: At World's End
    Pirates of the Caribbean: Dead Man's Chest
    The Crow
    Romeo Is Bleeding
    Pirates of the Caribbean: The Curse of the Black Pearl
    Crimson Tide
    Sweeney Todd: The Demon Barber of Fleet Street
    Namastey London

    Date of birth: 1956;

    Gender: Male

    Country of nationality: Poland

    Place of birth: Warsaw

    Profession: Cinematographer
    "There is no point in having sharp images when you've fuzzy ideas."
    Jean-Luc Godard.

    Dynamic range is, after all, the measurement between well saturation (photosite blowout) and noise floor.
    Thom Hogan
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