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  1. #21  
    Wait till they find how good the footage is in post.
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  2. #22  
    Another one in the box... a very big one.

    Congrats team!.
    "¿Render?... beer time!
    two Epic-X, 24"FSI 10bits, 50"Panny, Some computers; Work as Colorist, DIT and Tech Counselor.
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  3. #23  
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    Mar 2009
    Mumbai, India
    That makes it one of the most expensive movies ever made, if not the most. Certainly the most expensive movie ever shot on digital. Clearly, budget does not play a part here. RED M-X was chosen because the makers deemed it to be the best solution. A major testimonial for RED, congratulations!
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  4. #24  
    game....set...and match.
    Sidney Lexy Plaut, DFF
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  5. #25  
    Senior Member Shane Betts's Avatar
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    May 2007
    Melbourne Oz
    Shame the end credits will read "Shot on Panavision Cameras".
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  6. #26  
    Senior Member gbalaji's Avatar
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    Dec 2006
    Chennai, Tamil Nadu, India
    Hope to have EPIC being rolled out for this motion picture! A perfect example for S3D films to shoot a modular design cameras.
    Digital Cinema Designer (from Shoot to Delivery)
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  7. #27  
    Quote Originally Posted by Shane Betts View Post
    Shame the end credits will read "Shot on Panavision Cameras".
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  8. #28  
    REDuser Sponsor Chris Parker's Avatar
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    Jan 2007
    nice work RED.
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  9. #29  
    Senior Member Elsie N's Avatar
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    Oct 2009
    Quote Originally Posted by Paul Hazlett View Post
    Cross-thread LOL reference. ;)
    One camera is a shoot... two or more is a production
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  10. #30  
    Senior Member Richard Foster's Avatar
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    Jun 2010
    USA, Caribbean, England
    As others have stated - a great victory - well done! The progress RED has made in image recording technology is nothing short of a breakthrough.
    Richard Foster
    RED MX #1058 "Secretariat"

    If the facts don't fit the theory, change the facts. - Einstein

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