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  1.   Click here to go to the next RED TEAM post in this thread.   #101  
    Rob Lohman
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    Default 07-05-2010, 10:06 PM
    Quote Originally Posted by Lee Dashiell View Post
    What question are we not asking????
    Now that's the real question ;)
    ROBCODE Santa Claus @ RED

    "You get the chicken by waiting for the egg to hatch, not by smashing it with a hammer" - Jarred
     
  2.   Click here to go to the next RED TEAM post in this thread.   #102  
    Jarred Land
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    Default 07-05-2010, 10:06 PM
    Quote Originally Posted by Billy Gedney View Post
    In keeping with my absurd desire to have you guys design a camera at the same time for a parallel market, (Studio), will there be anyway to have servo zoom and focus controls mounted on a tripod for lenses that have zoom motors?
    The REDmote and REDmote PRO ( as well as the Side Handle etc. ) will be able to control motors inside lenses such as Canon, Nikon, Fuji, etc... provided of course you have the accompanied electronic lens mount on the EPIC/Scarlet.
     
  3. #103  
    Vincent Follézou
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    Default 07-05-2010, 10:06 PM
    By the past i show picture of EPIC with some kind of rifle bipod. Is there a way to adapt somme military stuff on the future EPIC and SCARLET like bipod handle... This kind of gear seems to be cheap and useful.
    Vincent Follézou
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  4.   Click here to go to the next RED TEAM post in this thread.   #104  
    Jannard
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    Default 07-05-2010, 10:07 PM
    Quote Originally Posted by Dan Sturm View Post
    On a recent project we shot a scene with enough detail/contrast to apparently overwhelm the data path of an MX R1. Any info on approximately how much more bandwidth Epic will have than R1 (it's obvsiously much more based on it's recording specs). The engineer in me would love some detailed info for reassurance that such an issue isn't present in epic.
    The difference between REDCODE 42 and REDCODE 250. 24fps is about 2.5:1 compression. Mathematically lossless.

    Jim
    "The camera is arguably one of the most important of all inventions… it is the single tool that has the ability to stop time, record history, generate art, tell stories, and communicate messages that transcend language like nothing else ever conceived."

    "Everything in life changes... including our camera specs and delivery dates..."

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  5. #105  
    "jack willingham
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    Default 07-05-2010, 10:07 PM
    Scarlet (likely) to actually happen in 2010? YES! No questions for me then. Hope non Red One owners can have one this year as well!
    thanks for doing the Q&A Jim (and the Red Team members)
     
  6. #106  
    Zakaree Sandberg
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    Default 07-05-2010, 10:08 PM
    Quote Originally Posted by Martin Stevens View Post
    Will you offer film emulation settings in your Redcine-X?
    I'm talking pick a Kodak stock number and get a best possible match, including grain.
    id love this
    Zakaree Sandberg
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  7. #107  
    Bob Torrance
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    Default 07-05-2010, 10:08 PM
    A FF sensor would be nice with the RED pro anamorphics. How is the Monstro program moving along?

    Bob Torrance
     
  8. #108  
    George A.
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    Default 07-05-2010, 10:08 PM
    Hi Jim,

    It might seem silly now to ask about the Monstro program, with all the headaches related to Epic-X and so on.

    Still - is the Monstro program making normal progress? Will we see Epics/Scarlets with Monstro chips late this year/early next year?

    Thanks!
    George
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  9. #109  
    Stephen Lovett
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    Default 07-05-2010, 10:08 PM
    Is there any reason all the new cool camera support gear has to wait for Epic to ship?

    A lot of that would be killer with MX.

    And thanks for the new FCP installer btw
     
  10. #110  
    Carlos Dueñas
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    Default 07-05-2010, 10:08 PM
    Are you people working on a 4K projector in the near future?
     
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