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  1. #41  
    Senior Member Peter Matthes's Avatar
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    Quote Originally Posted by Curran Giddens View Post
    You mean the 17-50 Pro?
    Yup.

    Guilty. I mistyped.

    I meant the Pro 17-50mm.

    Thanks for the correction, Curran.

    The team at Red really seems to love that new zoom.
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  2. #42  
    Senior Member Zac C's Avatar
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    Quote Originally Posted by Jarred Land View Post
    it was supposed to be cut in at 1:21.. because you all know #21 is such an important number, but i think the fade in shifted it 1 second, which together in itself is ironically another hint...
    prerecord?

    Scarlet-X "Starbuck"
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  3. #43  
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    Looks like an Tattoo Epic when I grow up I want to be like Dino he is my hero.
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  4. #44  
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    Quote Originally Posted by Zac C View Post
    prerecord?
    Two issues with this - The 1:21 was shifted forward to 1:22 and, it clearly is not big enough to live up to #21's hype!
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  5. #45  
    Senior Member jimhare's Avatar
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    Quote Originally Posted by Zac C View Post
    prerecord?

    We've had prerecord since the first day of the Red One. This must be a NEW feature to have so much hype!
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  6. #46  
    Senior Member dino g's Avatar
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    guys, thanks for the nice words of encouragement, it is great to see all the support for our efforts out here on the battlefield.

    for the record...

    David Roodthooft & Michael Muller - Directors
    Damien Vena - Producer
    crash (karsten gopinath) - dp
    Jeff Ferarro - GAffer
    Matt Blum - Key Grip
    Joe Pro - First AC
    DIT - Dino Georgopoulos
    Camera - Red#0031
    Camera - 2 x 35mm (i dont remember which ones) - but one had a hand crank...
    Lenses and support - Camtec - Thanks Kavon!

    the shoot was pretty straight forward, actually it was a stil shoot that we piggy backed onto, so we really only worked for a few hours...i invited jarred up to the helipad to watch a bit, it was great to see him out on the front lines with the troops...(he pretended to bring me a hard drive to get through security , it was classic...)

    glad you enjoyed it, if you watch HBO then you will also see Promos for Hung, which were also shot with RED#0031 MX and also for First Blood, which parts of those promos were shot with red#0023 MX also by crash- we were on the hung job on the same day so could not be in two places at once.

    logistically, for Entourage, we had the RED#0031 MX on a technocrane and the film cameras were on a dolly and sticks...so any big moves were done with the RED, like the push through to downtown and the overhead stuff...

    I love how it works so seamlessly...please reference this promo to all of your clients that doubt the quality of the red and its ability to mix with 35mm..

    enjoy, and thanks again for the kind words.

    finally, i think we put a couple of these Entourage shots in the NAB reel, so if you were paying attention there, you had already seen a couple of those shots....but don't tell TW/WB/HBO

    dino
    Formerly KOSMOS3D
    kosmos innertainment group, inc.
    EPIC-X #00031
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    YouTube = http://www.youtube.com/user/redone0031#g/f

    http://red31.com

    i'm in the red book..check it out at: http://tinyurl.com/l9lfzp
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  7. #47 R1MX shoots Epic Tattoo 
    Senior Member Sanjin Jukic's Avatar
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    One more screen grab about that famous R1MX shot of Epic in HBO Entourage:


    R1MX shoots Epic Tattoo.
    Attached Images
    "There is no point in having sharp images when you've fuzzy ideas."
    Jean-Luc Godard.

    Dynamic range is, after all, the measurement between well saturation (photosite blowout) and noise floor.
    Thom Hogan


    --------

    500px >>>
    Twitter >>>
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    Vimeo >>>
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  8. #48 ;) and yet.... 
    Senior Member Patrick Grossien's Avatar
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    another one without "censorshipmovieclipcontrols".... no offense, sanjin... took me 3 screenshots to get it. ;)




    and I know what that module is ... it can talk to the dp:


    SCARLET-X "Mathilda"

    "Life is full of obstacles. They never end. The ones that get past them have the richest life."
    jim jannard

    "if your pictures aren't good enough, you aren't close enough."
    robert capa
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  9. #49  
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    BIG TIME
    Luis Flores Jr - DIT / Dailies Colorist - Jerusalem IMAX 3D

    EPIC-M Cameras #202 , #960, #1046, #1031
    EPIC-X Camera #300

    Los Angeles

    GOOGULPLX@aol.com
    (805) 822-9870 cell
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  10. #50  
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    What is the rectangular block above the lens, the one with the circular holes ?
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