RED at THE MILL, NYC

[Mark L. Pederson]

I can't give you the details yet - the politics on this stuff is nuts - but our test shoot this past Saturday;

RED head-to-head with 35mm at a high-end commercial shoot -

had the post production show-down with the team at THE MILL in NY.

Let's just say ... RED had a very good day.

[Michael Schrengohst]

When will the film from the 35MM camera be developed?

[Craig Meadows]

When will the film from the 35MM camera be developed?

Then transferred to a file or tape? :)

[Frank Weeks]

Let's just say ... RED had a very good day

Thanks for the continuing updates.


Frank
Red 822

[Jaime Vallés]

Awesome! Can't wait to hear the comparison chatter. Thanks for the update!

[David Battistella]

I can't give you the details yet - the politics on this stuff is nuts - but our test shoot this past Saturday;

RED head-to-head with 35mm at a high-end commercial shoot -

had the post production show-down with the team at THE MILL in NY.

Let's just say ... RED had a very good day.

You should run a workflow cost comparison along side the image test results.

That would be cool!

David

[Mike Prevette]

Guys The Mill is a post house. Meaning the commercial was shot and processed a day or so ago, now both are being viewed together.


_mikw

[Fix]

Guys The Mill is a post house. Meaning the commercial was shot and processed a day or so ago, now both are being viewed together.


_mikw

I think they where joking Mike.

Anyways, The mill company is pretty thorough when it comes down to their work. If they want something look like 35mm they have it shoot in 35mm. If they want 16mm.. they shoot 16mm. If Red get their blessing in this “film vs digital” test it means serious business IMO.

So whats the answer Mark... Thumbs up?

[Álex Montoya]

Please, give us more details, Mark.

[Alexander Nikishin]

Details, details!