Click here to go to the first RED TEAM post in this thread.   Thread: Native R3D in AVID

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  1. #21  
    Senior Member mikeburton's Avatar
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    Thanks Michael! Looking forward to test driving this version!
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  2. #22  
    Quote Originally Posted by MichaelP View Post
    Support for Rocket Card is on system and will kick in anytime a render/transcode is initiated and the debayer settings are set to full.
    I cannot begin to explain how thrilled I am.

    a little something for everyone.
    Looks like way more than just a little!
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  3. #23  
    Quote Originally Posted by MichaelP View Post
    need a bit more go to yellow/yellow.
    You mean green/green, right?

    Also, is the performance you mention with or without the Rocket card?
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  4. #24  
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    Combined with Native R3D, I'm surprised no one got excited by this as well:

    "Keep high-end finishing projects in-house and gain great color precision with HD-RGB support (including dual-link I/O support with Nitris DX systems"
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  5. #25  
    Yeah, pretty cool...

    "Get Full-Quality HD-RGB Processing
    Keep those finishing jobs in house, and deliver the highest quality color and effects work, with support for full-quality 4:4:4 HD-RGB color space processing in Media Composer. With the higher resolution detail, you can perform color correction, keying, and effects work with greater precision and ease. And if you have a Nitris DX-based system, you can digitize, process, monitor, and output (output in Symphony systems only) projects in HD-RGB, using the two HD SDI connections to handle the high-bandwidth resolutions.

    Advance Color Correction
    Save time and maintain the highest quality production with the fully integrated and flexible 10-bit color correction toolset. Quickly and accurately match colors from shot to shot using NaturalMatch. Gain better precision with 4:4:4 HD-RGB color handling. And get fine control over shots with animatable color correction, or dive into the large palette of easy-to-use tools to manually refine settings or get creative with the color."
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  6. #26  
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    Wouldn't it be great if we had an affordable dual-HD-SDI out 2K machine to master to? From acquisition to mastering the process would be incredibly affordable.

    Right now there's really only HDSR. There's virtually no point in HDcam...you're throwing away so much, and not many broadcasters accept anything less than HDSR.
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  7. #27  
    Senior Member MichaelP's Avatar
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    Quote Originally Posted by fiendish View Post
    And if you have a Nitris DX-based system, you can digitize, process, monitor, and output (output in Symphony systems only) projects in HD-RGB, using the two HD SDI connections to handle the high-bandwidth resolutions.
    Media Composer with the Nitris DX hardware will also output HD-RGB.

    Michael
    ‎"There are a thousand ways to point a camera, but really only one."
    Ernst Lubitsch
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  8. #28  
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    This is the best thing that has ever happened in my life.

    MichaelP -- What's the ETA on delivery? And upgrade costs from AMC 4.x.x?
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  9. #29  
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    June 10
    - Justin Barham -
    Local 700 Assistant Editor
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  10. #30  
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    Thank you, Justin. Where did you find the release date?
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