Thread: What's your ideal minimum lens kit?

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  1. #11  
    what f numbers does the Red 18-85 have?
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  2. #12  
    Senior Member Nick Shaw's Avatar
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    It is intended to be F2.8, same as the 300mm.
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  3. #13  
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    i'm hoping the RED zoom come in with T2.8 not f2.8 ..
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  4. #14  
    My Nikkor set will be...
    17-35mm 2.8 (Better than the equivelent primes)
    28mm 1.4
    35-70mm 3.5 (Manual version's not bad)
    50mm 1.4
    85mm 1.4
    105mm 2.8 Macro
    135mm f2
    200mm f2

    If I had to pick 5
    17-35
    28 1.4
    50 1.4
    85 1.4
    135 2
    "All art is deception."

    My DP reel...
    http://www.evingrantdp.com
    http://www.YouTube.com/evingrant
    360 Cinematography and camera rigs...
    http://www.360dop.com
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  5. #15  
    If I could only have one lens, practicality would demand it be a Zoom. I'd like a Cooke 18-100, but budget suggests most likely a Red 18-85.
    Stephen Webb
    www.AEFilms.co.uk
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  6. #16  
    Senior Member Sanjin Jukic's Avatar
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    That's all what I have now

    + Attractive set of Nikkor F, Leica M , Haselblad/Zeiss and Zeiss ZF 35mm Lenses:

    ++Primes:
    ** Nikkor-N 24 mm f/1:2.8
    ** Nikkor-AI-S 28 mm f/1:2.8
    ** Nikkor-AI 35 mm f/1:1.4
    ** Zeiss Planar T* 50 mm ZF f/1.4
    ** Nikkor AF 50 mm f/1:1.8 D
    ** Leica Summicron 50 mm f/2 with Nikon F adapter
    ** Hasselblad - Carl Zeiss Planar T* 80mm f/2.8
    is attached on the Hasselblad to EOS adapter than to the Redrock EOS mount
    ** Nikkor AF 85 mm f/1:1.8 D
    ** Nikkor AI-S 105 mm f/1:2.5
    ** Zeiss Sonnar Olympia 180 mm f/2.8

    ++Zooms:
    ** Nikkor AF 35-80 mm f/1:4.0-5.6 D
    ** Nikkor AF 70-210 mm f/1:4.0-5.6
    ** Soligor Nikon/F 100mm-300mm f/1:5.0
    "There is no point in having sharp images when you've fuzzy ideas."
    Jean-Luc Godard.

    Dynamic range is, after all, the measurement between well saturation (photosite blowout) and noise floor.
    Thom Hogan
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  7. #17  
    Senior Member Zakaree Sandberg's Avatar
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    i just want a zeiss superspeed 35mm t 1.3 ? or is it 1.2? i forgot.. but its an amazing lens

    my set of nikons will be.. 18, 28, 35, 85 (1.4), 135, 300
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  8. #18  
    Senior Member Zakaree Sandberg's Avatar
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    Quote Originally Posted by The Third Man View Post
    That's all what I have now

    ++Primes:
    ** Nikkor-N 24 mm f/1:2.8
    ** Nikkor-AI 35 mm f/1:1.4
    ** Zeiss Planar T* 50 mm ZF f/1.4
    ** Nikkor 50 mm f/1:1.8 D
    ** Nikkor 105 mm f/1:2.5
    ** Zeiss Sonnar Olympia 180 mm f/2.8

    ++Zooms:
    ** Nikkor AF 35-80 mm f/1:4.0-5.6 D
    ** Nikkor AF 70-210 mm f/1:4.0-5.6
    ** Soligor Nikon f Mount 100mm-300mm 1:5

    and will add 85 mm, 135 mm, 300 mm and 55 mm Macro later.
    on your green screen demo reel you state the background is RED footage?!?! if this is so i have never seen that footage
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  9. #19  
    Senior Member Sanjin Jukic's Avatar
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    Quote Originally Posted by zakaree View Post
    on your green screen demo reel you state the background is RED footage?!?! if this is so i have never seen that footage
    I know my English is far from perfect but on that page is written:

    "Compositing in Apple Shake 4/ Primatte ChromaKey
    with the Red One 4K digital cine camera
    Matrix greenscreen test (foreground scaled from 4K)
    and HDV Sony's HDR X1E "Formentera Sunset" footage
    in a full HD 1080p (background)."

    Maybe it is a bit complicated for you to get it but it means >> forground is greescreen red one footage 4k from the RED>>background is from 1080p shot in Formentera...

    http://www.sanjinjukic.com/page1/index.html

    If somebody can write better I will change it...
    "There is no point in having sharp images when you've fuzzy ideas."
    Jean-Luc Godard.

    Dynamic range is, after all, the measurement between well saturation (photosite blowout) and noise floor.
    Thom Hogan
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  10. #20  
    Senior Member Sanjin Jukic's Avatar
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    I will owe Nikkors and other Nikon F mount lenses, than maybe some Canon FD, Zeiss Contax and Leica. Cookes, Zeiss Super Speeds, Master Primes etc.,... I will rent only.
    "There is no point in having sharp images when you've fuzzy ideas."
    Jean-Luc Godard.

    Dynamic range is, after all, the measurement between well saturation (photosite blowout) and noise floor.
    Thom Hogan
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