you can also have a look to the monkey frame extractor
This way I have my "offline" rendered clips in one directory, and my wrappers in another. By simply relinking the final sequence to the new directory I get a "conformed" timeline I can send to Color (via ColorFixer)
OK, I see... - good idea !
I'll put that on my list of things to do.
OK - I get the RED paper's ProRes to Red workflow, but is that only viable if you're offlining in 2K files created through Log & Transfer?
I'm doing offline in 720p in QTs created in Red Rushes.
When I follow the described workflow and choose "Batch Capture" on my offline 2K sequence as directed, Log and CAPTURE window pops up, not Log and TRANSFER. Obviously, this does not help me...
What's the best way to reconform these 720p cuts to 2K for Color/R3D finishing?
To conform, export the XML from FCP and use the Conform Feature of Clipfinder (Edit/Run Conform on FCP XML File), then reimport resulting XML to FCP. Works like a charm.
great software to replace H OR M or anything in you R3D or proress files in a sec
you can select 1000 file and replace .mov with _M.mov (ex)
on the main file not the xml
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