Click here to go to the first RED TEAM post in this thread.   Thread: Ask David Mullen ANYTHING

Reply to Thread
Page 288 of 483 FirstFirst ... 188238278284285286287288289290291292298338388 ... LastLast
Results 2,871 to 2,880 of 4821
  1. #2871  
    Senior Member Jeffrey T. Morgan's Avatar
    Join Date
    Oct 2007
    Location
    Michigan
    Posts
    618
    David, I asked this somewhere else, then realized I should try you... i will summarize:

    What book or dvd do you recomend to get the basics of FILM CAMERA and RED CAMERA operation understood?

    I have a lot of experience in everything from DV to F900s, but now i might have a chance to grow into a red / film shoot, and would like a resource to read before doing some tests.

    THANKS A TON for your time.

    Jeff
    Reply With Quote  
     

  2. #2872  
    I answered your other post, but I can recommend my own work -- try "Cinematography" (Third Edition) by Malkiewicz & Mullen. It's written for the person just starting out shooting 16mm film, so it covers the basics and most of the concepts are applicable to 35mm.

    As for Red, I can recommend Noah Kadner's book.
    David Mullen, ASC
    Los Angeles
    http://www.davidmullenasc.com
    Reply With Quote  
     

  3. #2873  
    Senior Member Jeffrey T. Morgan's Avatar
    Join Date
    Oct 2007
    Location
    Michigan
    Posts
    618
    Thanks David, sorry for the double post.

    I will be ordering your book momentarily i that makes up for it ;-)

    Jeff
    Reply With Quote  
     

  4. #2874  
    Senior Member
    Join Date
    Oct 2009
    Posts
    499
    On a similar note, do you know of any books that teach blocking or coverage techniques? I recently watched Indiana Jones and the Last Crusade and was just stunned at how I absolutely could not have shot or directed anything in that movie (at times I prefer Slocombe even to Kaminski...) Likewise, the dinner table scene in Drag me to Hell (and its clear antecedent in Wise's Haunting) blew my mind in terms of just maintaining screen direction and coherence while vacillating rapidly between subjective and objective presentation.

    I'm a DP foremost, but it's so much easier to work with directors if you understand blocking and shot choice as well as (or better than) they do. I was just rejected from every grad school I applied to so I have to teach myself now. Are there any books that cover this stuff? Did you learn about it at Cal Arts? (I may apply there next year.) It doesn't seem so complicated, really, once you have the basics--but I don't know where to start.

    I'm sorry for all my questions; my career is falling apart so I really need some guidance.
    Last edited by Matt W.; 03-17-2010 at 01:49 PM.
    Reply With Quote  
     

  5. #2875  
    Senior Member
    Join Date
    Apr 2008
    Posts
    130
    David,

    I know you don't like to hear this, but your reply was so awesome I wanted to thank you. You rock.
    Reply With Quote  
     

  6. #2876  
    Quote Originally Posted by Matt W. View Post
    On a similar note, do you know of any books that teach blocking or coverage techniques? I recently watched Indiana Jones and the Last Crusade and was just stunned at how I absolutely could not have shot or directed anything in that movie (at times I prefer Slocombe even to Kaminski...) Likewise, the dinner table scene in Drag me to Hell (and its clear antecedent in Wise's Haunting) blew my mind in terms of just maintaining screen direction and coherence while vacillating rapidly between subjective and objective presentation.
    I learned a lot about staging & directing by reading the Truffaut/Hitchcock book and then watching all of those Hitchcock movies. In fact, most of what I've learned has been by watching the actual movies -- Spielberg is a great teacher in staging for camera. Yes, he's a bit daunting, but then, he's Spielberg!

    There are some directing books out there, I don't have them on my shelves to check, but I've flipped through a lot of these listed on this Amazon page under "customers also bought" and they all have some good bits in them:

    http://www.amazon.com/Film-Directing...8869899&sr=1-1

    I learned directing mostly by watching Hitchcock, Spielberg, Welles, Lean, Kubrick, Kurosawa, and John Ford movies more than anything else. Probably puts me at odds a bit with modern trends though, which I think of as the Cuisinart School of Directing -- cover everything with a dozen cameras and then chop it up the death. I guess you could say that Kurosawa started that multi-cam style, taken up by Ridley & Tony Scott... but I think they actually do it well.
    Last edited by David Mullen ASC; 03-17-2010 at 05:01 PM.
    David Mullen, ASC
    Los Angeles
    http://www.davidmullenasc.com
    Reply With Quote  
     

  7. #2877  
    Senior Member Shawn Nelson's Avatar
    Join Date
    Dec 2006
    Location
    Portland, OR
    Posts
    4,456
    Quote Originally Posted by David Mullen ASC View Post
    I learned a lot about staging by reading the Truffaut/Hitchcock book
    Which book is this?
    "Only those who attempt the absurd will achieve the impossible." -MC Escher
    Reply With Quote  
     

  8. #2878  
    Quote Originally Posted by Shawn Nelson View Post
    Which book is this?
    My favorite filmmaking book in college:
    http://www.amazon.com/Hitchcock-Revi...8870522&sr=8-1

    That and "Masters of Light" and "Man With a Camera". Oh, and "Film Lighting".
    David Mullen, ASC
    Los Angeles
    http://www.davidmullenasc.com
    Reply With Quote  
     

  9. #2879  
    Senior Member Roberto Lequeux's Avatar
    Join Date
    Jan 2007
    Location
    Los Angeles
    Posts
    5,261
    Quote Originally Posted by David Mullen ASC View Post
    In fact, most of what I've learned has been by watching the actual movies
    Quote Originally Posted by David Mullen ASC View Post
    My favorite filmmaking book in college:
    http://www.amazon.com/Hitchcock-Revi...8870522&sr=8-1

    That and "Masters of Light" and "Man With a Camera". Oh, and "Film Lighting".
    Thank you David.
    Writer - Director
    Crowing Lakes.com
    Reply With Quote  
     

  10. #2880  
    I can vouch for the quality of "Cinematography" (Third Edition) by Malkiewicz & Mullen.. Actually I studied under Malkiewicz at CalArts. :)

    Great thread!
    Colorist
    Los Angeles
    www.lorenwhite.com
    Reply With Quote  
     

Posting Permissions
  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts