When importing an EDL into color, I can only select one path for the footage. I have the footage on several HD's - alias in one folder didn't work - any other way to get color to see all HD's at once for relinking footage?
Thanks
|
|
When importing an EDL into color, I can only select one path for the footage. I have the footage on several HD's - alias in one folder didn't work - any other way to get color to see all HD's at once for relinking footage?
Thanks
If you can send your footage to Color from a FCP timeline (file>send to> color) and that footage is in multiple places it should all come into the color project. Try importing your EDL into FCP and round trip that way.
Using the 'send to Color' approach you will get the notorious 'loop bug', if your edits span R3D files, but you can fix that with the method described here. It's a manual fix for now, but there will be an automated Clipfinder solution in future.
To clarify, I was speaking of sending transcoded clips off the timeline, not proxies. i.e. the Crimson workflow method.
One more thought... you could export an AAF from Avid, import that with Auto Duck Pro Import FCP, easily re-link your files and then send to color.
Otherwise I guess you have to move your files to one HD or manually reconnect your clips one at a time with in Color, which should allow you to target files on multiple directories, but tedious since that function seems to be hit and miss sometimes.
Best,
Brandon.
| « Previous Thread | Next Thread » |