Sirui 24/35/50 anamorphic lenses now available in RF Mount for the RED Komodo

[rand thompson]

Amsterdam Dusk on the nine streets and canals, Vondelpark and Museumplein.



By Dylan Evans






Shot with Sirui 35mm anamorphic lens on Panasonic GH5

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Sirui Anamorphic Lens Test on Sony FX9(4K)


By DP Go /Tatsuya Sasaki

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Shadow Driver | TRAILER #1 | BMPCC 4K | Sirui 35mm & 50mm Anamorphic


By
Craft City Films

[rand thompson]

P I A N I S T U L - Sirui 35mm Anamorphic x1.33


By Doban Lucian

[rand thompson]

Best Hawaii Wedding Videos 2020 - Retrosight Studios Reel


By Retrosight Studios







"Our wedding films are shot primarily on the Blackmagic Pocket Cinema Camera 4k and Blackmagic Pocket Cinema Camera 6k, with the Ronin S and the Sirui Anamorphic 35mm lens"

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Wholistic Massage TAS - Landing Hero


By CAT in a Box | Video & Design





Filmed on a Blackmagic Pocket Cinema Camera 4K on a 35mm Sirui anamorphic lens.

[rand thompson]

Sirui's Budget Anamorphic Lenses are.... ALMOST Great!


By Potato Jet

[rand thompson]

Sirui 50mm Anamorphic on Bmpcc4K


By
Andy Choi

[Neil Abeynayake]

the heavy streak flares in the sample look quite awful. I don't think these are usable in the real world

I respect your views. However, for once I have to respectfully disagree with you on your comment relating to this thread. Yes sometimes, heavy streaks do impose issues. If you watch their demo, cinematographer avoided those dreaded streaks even when shooting directly into oncoming vehicle lights. Rest of the commercial depicted rather pleasant imagery albeit they did NOT garner looks of an ARRI, Kowa, Hawk or other much more expensive anamorphic lenses. IMHO, the price you pay for these lenses warrant some respect. It's only a matter of time these upstarts would change the cost of ownership of anamorphic lenses to those who are serious but lack large sums of money to acquire them. In short, empower the creativity not the elite and the affluence.

[rand thompson]

SIRUI VS VAZEN ANAMORPHIC SETS HEAD TO HEAD AND REVIEW


By James Statham





SIRUI 24mm
SIRUI 35mm
SIRUI 50mm
VAZEN 28mm
VAZEN 40mm
VAZEN 65mm




00:00 - INTRO
00:10 - OVERVIEW
00:45 - TITLES
00:59 - TAIL OF THE TAPE
01:56 - HEADS UP & VAZEN OVERVIEW
02:52 - BUILD QUALITY & FORM FACTOR: WEIGHT
03:22 - BUILD QUALITY & FORM FACTOR: GIMBLE (ABILITY)
03:35 - BUILD QUALITY & FORM FACTOR: GEARS (PART 1)
04:41 - BUILD QUALITY & FORM FACTOR: PRECISION
04:56 - BUILD QUALITY & FORM FACTOR: ERGONOMICS RANT
06:42 - BUILD QUALITY & FORM FACTOR:GEARS (PART 2)
07:14 - BUILD QUALITY & FORM FACTOR:LOCATION MARKINGS
07:45 - BUILD QUALITY & FORM FACTOR:DESIGN SUMMERY & COST
08:14 - BUILD QUALITY & FORM FACTOR:MARKINGS
08:40 - BUILD QUALITY & FORM FACTOR:F STOP VS T STOP
09:14 - BUILD QUALITY & FORM FACTOR:SUMMERY
09:41 - FOCAL RANGE: FOCAL RANGE
09:52 - FOCAL RANGE: SQUEEZE FACTOR/FIELD OF VIEW
10:11 - FOCAL RANGE: SPHERICAL CONVERSION
10:26 - SENSOR COVERAGE: SIRUI
11:00 - SENSOR COVERAGE: VAZEN
11:20 - SENSOR COVERAGE: Z-CAM BMPCC SIRUI VAZEN CASE STUDY
11:59 - CONSUMER ADVICE: WHICH FOCAL LENGTH TO BUY AND WHEN?
13:28 - SHARPNESS
14:50 - ABERRATION
15:15 - DISTORTION
16:07 - MICRO CONTRACT
16:56 - CONTRAST
17:20 - COLOUR AND LUMA CONSISTENCY
18:09 - TRADE OFF COST VS FUSS
18:17 - BOKEH
19:00 - SIRUI BOKEH HACK (IS IT WORTH IT?)
19:15 - SIRUI VS ARRI ANAMORPHIC MASTER PRIME
19:39 - MINIMUM FOCUS
20:00 - LENS BREATHING
21:04 - FLARES
22:27 - VERDICT AND SCORECARD
14:05 - FEEDING JESUS CHICKEN