Thread: If you could only have 1 lens to pair with your Komodo, which would it be?

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  1. #41  
    Senior Member joshua csehak's Avatar
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    Oct 2008
    Heh, the drools all on my chin :) But just as much for the Hawk!

    I haven't used the RF Canon's but the Sigma Arts look way more cinematic than the Canon L's, to my eye. The 50-100 breathes like a mofo though. It's practically unusable.
    Breonna Taylor's killers still haven't been charged. : Red Epic Dragon #7703 "Ilsa"
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  2. #42  
    Senior Member
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    Jan 2010
    The best lens for Komodo would be the Panavision 19-90mm... too bad they only rent!!!!
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  3. #43  
    Junior Member
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    Sep 2018
    Hong Kong, SAR
    I just hope my Contax Zeiss cinemods can work with a speed booster...
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  4. #44  
    Digital FX Greg M's Avatar
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    Dec 2006
    Leica 50mm Noctilux f.95...standing by and ready for the next crazy color Komodo.


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  5. #45  
    RF 24-105f4

    Because the KOMODO does pretty good in lower light judging by sample clips, and the 24-104 f4 RF is light, sharp, decently fast at f4 and it is built like a tank. That said if GDU made another indestructible lens using the rf 35mm and the autofocus was updated then Id have to reconsider for run and gun shooting
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  6. #46  
    Senior Member Tarek salman's Avatar
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    May 2013
    Lebanon - U.S.A
    xeen 35mm classic

    Tarek Salman

    Komodo # when get out

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  7. #47  
    Moderator Phil Holland's Avatar
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    Apr 2007
    Los Angeles
    What warms my cold hardened stone heart so very much from everybody who has replied to this thread is that you all have a different opinion on what that one lens is.

    And there is the actual answer to the question. There is only the one lens, if you even have to choose just one, that is right for you.

    Somewhat what I'm attempting to show with all my rigs and all that. Equally as powerful is you have much more lens choices now than even 10 years ago. It is indeed an incredible time to have access to tools and technology that also come with such freedom of choice.

    Happy lensing peeps.
    Phil Holland - Cinematographer - Los Angeles
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