View Poll Results: Which cameras color do you prefer form the Full Frame Cinema Shootout 2020

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  • 1

    54 73.97%
  • 2

    2 2.74%
  • 3

    9 12.33%
  • 4

    2 2.74%
  • 5

    0 0%
  • 6

    1 1.37%
  • 7

    3 4.11%
  • 8

    1 1.37%
  • 9

    1 1.37%

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  1. #71  
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    Hey Evin! Thanks for the comparison! When are you going to post which camera is which?
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  2. #72  
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    Thanks!

    If somebody has access to a ZCAM F6 and a mavo LF. I would love to see those in the mix.
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  3. #73  
    Quote Originally Posted by Evin Grant View Post
    The Sigma was included for two reasons...
    1. We had one on hand
    2. It records a full frame 4K 12bit RAW file directly to a USB-C SSD without the need of an external recorder.

    After spending some time with the RAW files I think Sigma really has a winner once they get the kinks worked out of the UI and color science.

    I totally agree. Also if you shot in DC mode you get a pixel for pixel crop from the sensor. The 6K full frame -> UHD is softened a little by the scale.

    I hope they can offer more crops (DCI 4K for example) and better scaling.

    On this test did you do highlight recovery on the sigma? Are we able to get a sample DNG from that one at some stage?

    Sigma is a company that has no high end cinema cameras and they're slightly left field and open to ideas. Whilst this isn't the perfect camera it is so tiny, so small and gets you RAW.

    cheers
    Paul
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    insta: @paul.inventome
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  4. #74  
    Senior Member Jacobo Martinez's Avatar
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    Quote Originally Posted by Evin Grant View Post
    the video with the cameras listed will be coming Thurs. the 6th.
    (https://vimeo.com/388805758)
    I Hope we see the results soon!
    www.jakobfilms.com
    contact@jakobfilms.com
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  5. #75  
    Senior Member Patrick Tresch's Avatar
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    Quote Originally Posted by paulcurtis View Post
    I totally agree. Also if you shot in DC mode you get a pixel for pixel crop from the sensor. The 6K full frame -> UHD is softened a little by the scale.

    I hope they can offer more crops (DCI 4K for example) and better scaling.

    On this test did you do highlight recovery on the sigma? Are we able to get a sample DNG from that one at some stage?

    Sigma is a company that has no high end cinema cameras and they're slightly left field and open to ideas. Whilst this isn't the perfect camera it is so tiny, so small and gets you RAW.

    cheers
    Paul
    Its not a ccd but CMO with a debayer process going on. The debayer algorithm has more incidence than scaling IMHO.
    Can you show me some sample of those scaling artefacts. Pixel to pixel VS downscale with cmo?
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  6. #76  
    Quote Originally Posted by Jacobo Martinez View Post
    I Hope we see the results soon!
    Did he say if he would be posting the results here or somewhere else, such as on the Vimeo page?
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  7. #77  
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    Quote Originally Posted by Derek Doublin View Post
    Did he say if he would be posting the results here or somewhere else, such as on the Vimeo page?
    It's kind of driving me nuts because I really wanna know the results. I wonder if he'll post tomorrow.
    Cinematographer/Editor/Writer

    CinePros | Arterial Pictures
    RED Monstro CF "Baymax+"
    Blackmagic Pocket 4K
    Tokina Vista Primes
    Leica R
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  8. #78  
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    #1 was the only one that I chose as looking really nice in every test. The +6 over was really... illuminating.
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  9. #79  
    Senior Member Jacobo Martinez's Avatar
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    and the answer is.....?
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  10. #80  
    Senior Member Bérenger Brillante's Avatar
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    Damn, there is only 01:30 left in the poll but it's 1AM here. I just can't stay awake to see the mystery unveiled, but I'm guessing 1 is Monstro and 3 is Alexa LF ?
    Bérenger B. Brillante
    --Director Showreel--
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