Thanks for the clarification David. My initial hunch was indeed wrong, but that wouldn't be the first time. The color science does get confusing for us laymen, so I tend to go by the image I see in my program monitor and what spits out on the Blu-ray disc and leave the 'science' to the codec and debayering experts like yourselves and Mr Nattress.Originally Posted by David Newman
Good to know all the recent improvements in 'Red Color Science' will find their way into Cineform products. Must be a nightmare for you guys trying to cater to all the cameras, codecs and colorspaces out there (RED, SI cams, Rec 709, SI Log, Linear, RedSpace etc. etc.). And just when you think you've got it nailed down, out comes another codec/format/standard/colorspace/NLE version etc. If one thing is certain, it is change.
