what was the audio quality comparison between the Diva audio and Direct to RED Line IN baked?
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what was the audio quality comparison between the Diva audio and Direct to RED Line IN baked?
great!
we're starting a feature in 2 weeks and planned on recording directly to the cam as we have always done.
we get great consistent results but its always nice to see options and how they stack up.
Plus we're shooting the feature in Build 16. very excited lots of available light shooting and alot at twilight and nighttime in nyc
yeah we're super stoked. ive been out of town for almost 3 weeks so no build 16 til i get back in case the cam had to go out which it did.
but first thing this week its a sweet 16 :)
I am very happy to see the Deva output level exactly match the Red camera. We developed the Deva to be a very flexable mutitrack mixer/recorder.
I hope its capabilities are a very good match for the Red camera. The Deva has a wide choice of time code and sample rate options that should make it compatable with any production environment. Up to 16 tracks are available with Deva 16.
Time code offset and audio delay in single sample increments have now been added to the Deva for perfect sync in any situation.
I am now a member of this forum and will look in from time to time to answer as many audio questions as I can.
Glenn Sanders
President Zaxcom Inc. (AKA The Deva people)
Thank you Mark. Thank you to your team as well.
Aloha
Mark L Pederson, I am not an audio person so is a little confused here. You explained earlier that unless if there a need to do video sync say a 3D, there is really not need to use the tri-cycle. Your connection will be to feed the TC from the Diva to the Denecke SB-3 - where?, which is connected to the Genlock using the BNC out instead of TC in on the camera using the lemo version? and then jammed them together? and then disconnect the TC - from where - connection from the Diva to the Denecke?
Appreciate if you can elaborate more on this - Lim
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