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ACEScct RED ProRes Workflow-Part 3 Davinci Resolve-Additional Tone and Gamut Mapping


This is what the Red ProRes file in the RWG/LOG3G10 format will look like Transformed with the Included...

ACEScct RED ProRes Workflow-Part 2 Davinci Resolve


Davinci Resolve

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https://i.postimg.cc/P59wc6Gr/Screenshot-790.png

https://i.postimg.cc/28CFFXYs/Screenshot-786.png

ACEScct RED ProRes Workflow-Part 1 Redcine-X Pro


You can use these workflow settings, if you want to, for Red ProRes files in the RWG/LOG3G10 format recorded in camera or if you want to...

Patrick,

The workflow Dan outlines is for Red media only. The ACEScct and Davinci Wide Gamut workflows are idea for Media from different cameras.


Davinci Wide Gamut Preset
...

Here's some additional info about different Red workflows in Davinci Resolve 17 that I added in another thread they may help further.

Resolve 17 new colour management implication for IPP2...

Davinci Resolve 17


You can do the Reverse with an "IPP2" Project with the Last Red .R3D file using a "OFX Color Space Transform" to change it to "Davinci" Tone-Mapping.

Edit:
I forgot to add...

Davinci Resolve 17

Sometimes I like the Tone-Mapping of the new "Davinci" "Input DRT" and "Output DRT" and sometimes I like the Tone-Mapping of IPP2. Now, if I want to "By-Pass" the "Davinci"...

Part 3


2)Now Apply the "Skin Purple" CDL. You will notice that unlike a LUT which only gives you the Final Image look, The CDL gives you the translated PRIMARIES from REDCINE-X to be further...

Part 2



DAVINCI RESOLVE

I'll Use a "DAVINCI YRGB COLOR MANAGED" Workflow for this example

https://i.postimg.cc/LskDkVQD/Screenshot-278.png

Part 1

REDCINE-X CDL to DAVINCI RESOLVE Workflow

CDL is short for ASC CDL

The American Society of Cinematographers Color Decision List(ASC CDL) is a format for the exchange of basic primary...

Micheal,

That happens to me as well from time to time. What was your comment?

Mike,


I guess its just to Grade and manipulate Colors while they are in the widest capable range possible from the Red Sensor, then with an Ipp2 transform lut, bring that really large range of...

Mike,


Also in Resolve the image is processed in a Node Tree from Left(Input) to Right(Output). In Premiere Pro it is layered based, effects are applied from the bottom to the top. In the Layered...

I tried that a while back and I was never sure if Resolve applied the lut at the Beginning or the End of the grade, But I was thinking it's at the beginning. Since there was no way to establish the...

Mike,


1) first question

Not really out of order, the RWG/LOG 3G10 image has already been transformed into the REC709 color space in the default Resolve Workflow


Here is How The IPP2...

You can create a "PRESET" in Redcine-X Pro that allows you to "BYPASS" the mathematical IPP2 Transform in Redcine-X for multiple R3D files(Change RED.R3D files into a RWG/LOG3G10 image)


In...

Continued from Last Post..........



OR


Use the OFX plugin "COLOR SPACE TRANSFORM" to develope the RWG/LOG3G10 Image..

Another Way


In Redcine-X Pro


https://i.postimg.cc/sXgV2J7B/Screenshot-145.png

https://i.postimg.cc/NFyB6fNB/Screenshot-146.png

Davinci YRGB with IPP2 Transform LUTs applied at the end of Node Tree


With "DAVINCI YRGB", you transform all of your RED .R3D files into a REDWIDEGAMUTRGB/LOG3G10 image at import. You will still...

Apply Metadata Curves


In Redcine-X or In-Camera


https://i.postimg.cc/qv0zyPgV/Screenshot-113.png

https://i.postimg.cc/FFgk0dGb/Screenshot-252-2.png

Apply 3D Lut


In Redcine-X or In-Camera


https://i.postimg.cc/523WGGgV/Screenshot-110.png

https://i.postimg.cc/L69YD90c/Screenshot-98.png

Apply CDL


In Redcine-X or In-Camera


https://i.postimg.cc/CKY9sNpQ/Screenshot-107.png

https://i.postimg.cc/J4pydffG/Screenshot-106.png

You're Welcome Matt!

Or This Combo


https://i.postimg.cc/Qxg5Gysx/Screenshot-92.png

https://i.postimg.cc/zGJhJFXw/Screenshot-93.png

https://i.postimg.cc/021m4qTB/Screenshot-91.png

Or Color Managed in Resolve Like Mike stated above


https://i.postimg.cc/WpWL9WRx/Screenshot-88.png