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  1. I believe that's the plan. Michael

    I believe that's the plan.

    Michael
  2. I have been testing the MXF workflow and I don't...

    I have been testing the MXF workflow and I don't feel it is ready for primetime for all workflows that one may encounter. Between the span file and the AMA plug-in, it will cause issues somewhere...
  3. I have had a few problems with Avid's AMA plug-in...

    I have had a few problems with Avid's AMA plug-in for RED and spanned MXF files. You are creating some big proxy files if just being used for offline. But I have been fine as long as my MXF proxy...
  4. Clear all R3D files from MediaPool, go to...

    Clear all R3D files from MediaPool, go to settings and reset the the timecode being read by Resolve, save project, then bring files back to MediaPool, then do the conform. See settings from...
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    Yes, exporting as OP1a is limited to DNxHD and...

    Yes, exporting as OP1a is limited to DNxHD and HDNxHR codecs.

    Michael
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    MC just uses the basic QuickTime engine to do it...

    MC just uses the basic QuickTime engine to do it encoding outputs which is crappy to start. I always export OP1a out of MC because it is fast and does not have to deal with the MOV wrapper and its...
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    Not yet, but the issue seems to be with DNxHD and...

    Not yet, but the issue seems to be with DNxHD and not DNxHR. The only time DNxHD LB (36) is selectable is when aspect ratio is 16:9 and 2K is selected for proxy. I need to do more testing on this...
  8. When you access the clips via the Soure browser,...

    When you access the clips via the Soure browser, you will have both R3D and MXF in the older structure. Just select the .MXF files and link to them. They can be linked with the latest version of the...
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    Red is looking into why the artifacts only exist...

    Red is looking into why the artifacts only exist with DNxHD 36 and not 115, 175, etc. Stay tuned.

    Michael
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    There is also a performance issue to deal with,...

    There is also a performance issue to deal with, and not only storage. Many users working with DNxHD LB at UHD or higher also work in 1/4 proxy playback in Media Composer. 1/4 UHD LB is exactly DNxHD...
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    It's not a 1/16th proxy issue as the artifacts...

    It's not a 1/16th proxy issue as the artifacts look completely different than the ones from created in-camera.

    Michael
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    My comparison was for Marc to show that given the...

    My comparison was for Marc to show that given the same resolution and frame rate, there is no difference between DNxHD 36 and DNxHR LB. DNxHR is the resolution independent version of DNxHD.

    As...
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    10 seconds of the same clip transcoded as DNxHD...

    10 seconds of the same clip transcoded as DNxHD 36 and DNxHR LB 1920 x 1080.

    https://dl.dropboxusercontent.com/u/1226998/compare.png
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    There "should" be no difference between the two,...

    There "should" be no difference between the two, but I only have a few test files of in-camera DNx generated media, but will go back and compare. As far as data rate, DNxHD 36/DNxHD LB or DNxHR@...
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    I blogged about the naming convention being...

    I blogged about the naming convention being confusing, but that was done at Avid's request.
    http://24p.com/wordpress/?p=331

    Try AMA linking to the OPAtom DNx material and consolidate rather than...
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    What resolution are you recording DNxHR SQ at?...

    What resolution are you recording DNxHR SQ at? DNxHR LB at UHD resolution is exactly 4x the data rate of DNxHD 36. Anything larger than UHD and at SQ quality is a much larger data rate than DNxHD 36...
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    MXF from the Avid MediaFiles folder or MXF from a...

    MXF from the Avid MediaFiles folder or MXF from a camera original? Are the files already in the MediaPool? Or are you selecting import media with the conform dialogue box when selecting the AAF? Are...
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    Are you outputting each transcode to its own...

    Are you outputting each transcode to its own folder? Which version of RXC are you using? Also, I do not recommend using the ALE to create the master clips in the bin, but use the AAF's generated by...
  19. You can't hide a portion of a clip. Michael

    You can't hide a portion of a clip.

    Michael
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    Looks like QT still. Michael

    Looks like QT still.


    Michael
  21. I have seen some bizarre behavior with RMD but...

    I have seen some bizarre behavior with RMD but mainly was around not showing the proper color space defined in the RMD. Other parameters were observed. What version of 8.x are you running?
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    Creative editorial has already gone through this...

    Creative editorial has already gone through this and still is to some extent. Music went through it first.

    Michael
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    I agree it can be a big difference - to me it is...

    I agree it can be a big difference - to me it is no longer really about competitive products, but a war of seats. By that I mean once a manufacturer has a "seat" they can sell other offerings and...
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    The only real difference is having a version you...

    The only real difference is having a version you are left with should you decide to buy a perpetual license. Subscription only is the same for Avid and Adobe. Price wise, Avid perpetual + 1 year (2...
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    Assuming there is a common source defined on the...

    Assuming there is a common source defined on the offline proxy to the AMA linked file, then you select all the AMA clips and sequence. Right-click sequence, and select "relink". In there at the top...
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