Without syncing the sensor to the timebase as the time code, you will see +/-1 frame offset. The sensor is recording a 1/23.98 sec slice of time as a frame. the time stamp of that frames is latched...
Type: Posts; User: Dave Winder
Without syncing the sensor to the timebase as the time code, you will see +/-1 frame offset. The sensor is recording a 1/23.98 sec slice of time as a frame. the time stamp of that frames is latched...
ok, so what exactly are you saying is 'off' and how do you judge it? Scratch audio versus recorder? Image of slate versus clap on recorder? We did tests where Zaxcom Deva caused this issue between...
if you are running at a base rate (24 not 48), feeding TC and Genlock and syncing the sensor to Genlock and getting green TC ,GEN, SYNC icons, then no, this is not normal. If you are not genlock...
Im going to avoid the recommendation business. Deneke has other products that supply TC and genlock. As does Ambient and I believe Aja. You can find more use cases in the 3d forum...
Sean, the SB-3 only supplies timecode, correct? The Epic does not derive sensor timing from timecode. So the sensor timing is asynchronous to the update of your slate's display. If you were to use...
That should work. There is a sequence of set up steps on Movie Slate to get it go out. Are you following that?
Double check that the timecode source is selected as Brain and not rear module in...
Which direction are you trying to send the timecode? The Epic brain does not have a TC output. You can get TC out of the Movie Slate, but an additional plugin is needed.
It sounds like your clock battery is dead. File a ticket
Kyle, can you detail what you want to do? What is your sync source? single frames or just synced steady rate? etc
Hi Alex
Can you describe what you mean about "all devices to talk to eachother"? As you have said you are getting the green TC icon. That means you are jamming the time code successfully. if you...
Are you in edge time code mode? That will only 'move' when recording.
You will need to connect your timecode source to the yellow BNC of that cable. Plug the lemo into the SYNC port on the back of the brain. Then in menus, go to Settings->Project->Time Code and...
Hi Jon
The manual is lagging relative to the firmware updates.
But you did manage to find the correct menu entries. With the release of the PRO-IO we now must differentiate the timecode source...
I mis-spoke on the pulse width. it is 500us.
ok, yes 3.2.19 will have the longer pulse. Cant help you with higher voltage.
Make sure you have the GP output function selected to SYNC and not general purpose.
Gerald, what version code are you running? There was a point where lengthened the shutter out pulse from nano seconds to tens of microseconds, to make it easier to use on a scope. But even the very...
Phil are you talking RED One or Epic/Scarlet? I just realized this forum is RED ONE, all of my response is about Epic, since it looked like thats where topic went. just to be clear.
If Epic:...
Phil, it sounds like your third party switch is not keeping the signal high after you turn it on. Perhaps the switch is broken or batteries are low?
For those of you looking to build a circuit,...
Hi guys,
Actually this started with 3.3.3. Its in those notes as well.
What this means is that the camera HD-SDI monitor timing is cross locking to a non-matching genlock source. For example,...
David, yes, you are correct. Actually this isnt really a use case we intended. Changing FPS, or format (magnify is essentially a format change) should also make it reacquire. I would recommend...
3D sync can not be maintained during AF. It should resync afterwards though.
You can get away with 'T'ing the timecode signal to both cameras as well. that circuit is much more forgiving than the genlock input. Also if your working over short periods without rebooting the...
Erich, as long as you are only talking master slave of control (not timing) you use the GigE functionality. Connect all the cameras via RED GigE cables to an ethernet hub. Follow all the setup in...
Yes, the limitation is that using the MoCo mode, the pulse rate is limited to half of the selected framerate. So if you are going to give pulses at up to 25 fps, set the camera framerate to 50. ...
Yes, thats exactly what you would need to do. We're working on making it automatic, so you could have preview and then switch to pulses when you hit record, then back to preview when you stop.