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First you need to install the Desktop Video driver for the card, that can be found on the BMD website.

Then in Resolve:

Preferences - Video and Audio I/O - For capture and playback use - (pick...

Resolve can do the output scaling in software, but Premiere can't so you need a card/converter that will do the scaling. I have the bmd mini monitor and that can downscale the output to HD.

Project settings -> image scaling -> output scaling:

Untick "match timeline settings"

Output resolution: HD

Mismatched resolution files: Scale entire image to fit

This is what Sonnenfeld said about working with Bay:

"There are guys like Michael Bay who will literally get mad at me if I start to try and match up things. It is not realistic. When you are in...

I think the grade fits Bay's over-the-top aesthetics pretty well.

Go to Project settings - Image scaling, and set Input Scaling and Output Scaling to "Center crop no resizing" That way you will get 1:1 pixels in the timeline and in the export.

AFAIK Full Res Premium and Half Res Premium should have the same speed, because both do a full decode.

But Half Res Good should be faster than Half Res Premium.

In project settings, set the input scaling to "center crop with no resizing", so Resolve will not do any automatic scaling.

Then you need to calculate the correct scaling ratio - for example you...

The card is not handicapped, Resolve does a software downscale, so it doesn't need the card to do the downscale.

Some of the BMD cards can do hardware scaling with Premiere. I've used a Mini Monitor to downscale a UHD timeline to HD in Premiere.

Unfortunately I can't test if 5k timeline can be downscaled - I...

If you interpret in premiere to 75 fps, and in Resolve set the frame rate of those clips in the clip attributes to 75fps, the edits should match.

You can interpret fps in Premiere and Resolve, and the cuts will come thru.
You can change speed in Premiere, the speed change will come thru.

But if you both interpret and change speed, that...

3g10 maps the mid gray lower than Redlogfilm, so if the filmconvert transforms are not compensating for that, then the image will be quite a bit darker.

Client monitor should also be calibrated to a spec, there no point in looking at a "real world monitor", they will all look different. What the end users see is out of your hands.

Does this mean that the other RED sensors would also benefit from having a dual amplifier (or whatever the Gemini has) instead of a single full "ISOless" readout?

HDR masters can have "dynamic metadata" that tells how to create an SDR version on a scene-by-scene basis. So maybe Netflix has automatically created an SDR version but the metadata has not been...

The "input sizing preset" can be created in the "input sizing" tab in color page, but once created, the preset is independent from "input sizing". The preset can be applied in "clip attributes" in...

The scaling will transfer from Premiere to "edit sizing" in Resolve, but because the proxies have different resolution than the R3D's, you need to adjust the Input scaling as well, and if those input...

What is the exact resolution of the proxies, the raw files and the timelines?

This lut has an interesting tone curve... 107192

There's not a single software outside of redcine-x that supports "ipp2"-pipeline. What Resolve/Premiere etc support is the RED SDK that is provided by RED.
So what you're gonna get in the upcoming...

Offset = Offset
Power = Gamma
Slope = Gain

The reason to have those 3 controls instead of lift-gamma-gain is that the offset is the exposure/white balance control for log footage, and you can...

I think Rawtherapee can export a non-demosaiced image.

I think the theory behind the lamps is that certain spectral frequencies will "wake you up", so it's not only about the light temperature.

8k prores files :)