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Hey Tom.

If this is for editorial, fiber might be overkill if you are not working with uncompressed DPX files.

We've been using Editshare systems for editorial, which scale up to that size and...

I was going to say, all TVC delivery is SD for broadcast... Sad but true.

This is literally my favourite music vid that I've seen in recent memory.

Why?

It's FUN.

Zeiss Master Prime 16mm is 25 grand, give or take, and only covers 34mm image circle.

How deep are your pockets?

Only the original Red 18-50 had /i lens data; I don't believe any other lens currently shipping does.

Angenieux is working on retrofit kits to add /i to their lightweight zooms but I don't think...

Without a PPL and OC from CASA you cannot fliy unmanned aerial vehicles for anything other than sport or education.

Just saying ;)

That said, even under the 'model aircraft' rules you can't fly...

It shouldn't peak at -12, the dialogue level should be normalised to -12.

I suggest you talk to an audio post mixer.

FWIW at market rates you're asking for a 75% discount...

EDIT: For the camera only - if you're after everything else as well it's really pushing the envelope. You may want to consider a Scarlet...

Shortage due to Epic-M bundling I would think.

Agreed. In fact, bring some to Vegas and I'll pay cash. :)

You will get assessed GST based on the value of the item, not the purchase price, as you are an importer in this scenario, not a customer.

That said, if you are GST registered, it will be refunded...

LivePlay does not record locally on the iPad. It needs a server running on a full computer to feed it video.

Another one I found is presets aren't recalling frame guides correctly.

It looked a lot like rushes power windows on the night, Brigham - nothing that couldn't be cleaned up and re-rendered if they still have the project file...

It took me 25 mins to align a 24-290 the other week, so I'd say VERY SNUG.

And a good thing, too.

Image 1 is FPN from bad black shading.

Image 2 is wavelet compression artifacts, exacerbated by underexposure/push process. Were you shooting high FPS?

The EVF issue is different...

Um, how do you steer it in motion? Not hugely thought out...

They need to talk to some Steadi ops.

We had a Scarlet arrive way off - shipping can sometimes throw things out. Best to check everything on arrival.

Thanks - should I still do a ticket?

That said, shouldn't a standard 3.5mm TRS to TRS cable work in this instance? The Sennheisers have a 3.5mm TRS balanced mono output...

The submission master is Digibeta - and given the remote sites receive via (foxtel) satellite there's not much chance of HD outside Sydney anyway.

It would be nice if they accepted HD and put that...

We graded it in-house here (on Color!) at Inspiration Studios. It was Roar's camera.

AFAIK the camera is unbalanced only at the moment. The 'balanced' option does not really work I think.

So, tape over the ring contact on the input plug or find a way to convert the balanced output...

It's the same everywhere... not too bad once you're 40m away.

That said, they were fiddling with the settings during another film I graded, and it pissed me off.