To my untrained eye and assuming all the trajectories were set, it just looks like they weren't expecting the ambulance to bounce like that or that much. Without the wheels coming off the road like...
Type: Posts; User: Les Hillis
To my untrained eye and assuming all the trajectories were set, it just looks like they weren't expecting the ambulance to bounce like that or that much. Without the wheels coming off the road like...
Sounds like you're experiencing the same thing discussed here -
http://www.reduser.net/forum/showthread.php?183398-RED-OLED-EVF-settings-poll
I think for good practical reasons there's a necessary place for 'ISO'-like adjustments in the image-capturing and processing chain.
However, imo the further along in time we get with digital...
The LBK-K-Tone-Intense_BlackLift_33 LUT applied to some Komodo shots and tweaked towards 'normal' -
https://imagizer.imageshack.com/v2/xq90/924/f4xOd5.jpg
...
Just having a look -
https://imagizer.imageshack.com/v2/xq90/922/3Rzhm7.jpg
https://imagizer.imageshack.com/v2/xq90/923/BgEuTF.jpg
https://imagizer.imageshack.com/v2/xq90/922/VIJzxI.jpg
...
It's a proprietary RED connector on RED DSMC2 cameras for passing through data to/from RED-approved DSMC2 modules (eg. DSMC2 BASE EXPANDER, DSMC2 V-LOCK I/O EXPANDER, DSMC2 JETPACK EXPANDER etc.).
Good to see a dedicated example thread.
I've definitely seen a broader range of examples from different camera's with the help of your contributions here Rand, so thanks for that.
In return, my...
It looked pretty good to me, 'mistakes' and all. I found it more interesting and creative than a lot of the stuff I've seen shot on Komodo so far, sort of like a less pretentious version of a short...
Nice video. Just watched it silent, didn't know there was narration. Enjoyed the slower pace and natural scenery. Well shot and edited. Thanks for sharing it here.
How were the dailies recorded or transcoded?
It looks like the dailies recorded the full sensor (to an external recorder?) while the R3D captured a smaller than full sensor resolution.
Also,...
I ended up getting a second LG 31MU97-B while I waited for the first one to get repaired (about 2 1/2 years ago). Then that replacement monitor had to be repaired for the same fault as the first one...
Hi Dom,
Here's a review of the 600D that includes some comparisons to the Forza 500 - https://www.youtube.com/watch?v=tzaoyQRwJ4E
Apparently the battery operation with the 600D isn't as...
Looks like it, judging by the extra pics on that page (that includes pics of the RED expander module) - https://www.shapewlb.com/shape-red-komodo-15-mm-lightweight-baseplate/
Shape (and other...
I say this isn't the place because these forums are more about the 'how' of film-making, not the 'why'.
And the 'why' is purely subjective and open to endless circular debate that almost...
If we're talking about the branding and marketing of the RED products...
It's not so cut-and-dry, and involves personalities, morals, ethics, values, tastes, contexts and a bunch of other...
Had a look at the RGrain effects.
I think they could be useful if tweaked for use on a case-by-case, even shot-by-shot basis. Likewise with any of the other products I guess.
The tendency...
I attribute the 'Look Of RED' to a combination of factors that includes - the sensor design, the colour science, the resolution, the RAW encoding, the post-workflow and the form-factor (which is more...
Dual sensors, 25+ stops DR...
Circular, auto-rotating sensor, with built-in sensor-level polarization and optional polarizing OLPF...
Square, manually rotating and tilt-shifting sensor, using...
Thanks for that, will check them out, I like the look of their gate-weave type effect.
I was thinking of doing this myself.
Would be interesting to see the same thing done with all the different RED sensors.
Would also be interesting to see a way of applying 'film-grain' that...
Maybe - https://www.youtube.com/watch?v=x1-nAGSQFHM
These video's remind me of RED Epic/Scarlet MX footage (be careful with underexposure and clipping when shooting, then grade mainly for contrast and saturation) -
...
I had a look at your R3D's (mainly that alternate 38ºC one) and found, when pixel-peeping, the blacks were clean up to about ISO1600-ISO3200, when .266 Contrast was applied in Resolve (and also with...
Hi Ignacio, with the newer RED camera's you can do up to 4 manual blackshade 'captures' in one hit. If you do that, then load each calibration up and shoot some frames with the lens cap on, you can...
There isn't a lot missing really.
Using Legacy settings in post gives you access to these extra RAW parameters (in Resolve) compared to IPP2 -
Contrast
Saturation
Shadow
Brightness
All...