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OK, I'm getting handles if I select the individual clips in the timeline. But if I export the entire timeline without selecting clips it doesn't. I would think it should work either way.

STeve

I'm having problems with this as well. I've sent a simple test sequence from Premiere saved as an XML to RedCineX15. The 4kHD timeline in RC is good and when I export Trimmed R3D and ask for 24...

Does the REDcode system control apply equally to ProRes transcodes as well as RED Native QuickTimes?

An absolute deluge of sarcasm! Really I'm very much looking forward to FC7, I hope it includes better RED and RGB support. I have high hopes for Color as well.

STeve

Thanks,
Could you point me in the right direction for that feature. I couldn't seem to find it.

STeve

I can't imagine what Apple has in mind for Final Cut 7, it's already perfect. :thumbsup:

Feature request.

I would love for Clipfinder to hack ProRes files so that they contain the flag that tells Final Cut to "Log and Transfer" instead of "Log and Capture" when batch capturing from...

Has anyone done a side by side comparison of CCE and Bitvise?

I completely agree, with Chris. We do a quarter debayer to 2k ProRes SQ with burn-in. Then all framing and sizing translates completely to 2k Proxies without shifting.

On my 8 core 3.2, I get a...

Export a XML from FCP
Use ClipFinder to conform to 2k Proxies
Open Proxies in FCP
Send to Color
Use Color (w/RED tab) to Render 10bit uncompressed 2k, no grading necessary
round trip to FCP

Set the RT playback mode to Unlimited (upper left hand corner of the timeline).

sm

Color will send geometry changes back to Final Cut as new Motion tab settings. Color will however, bake in geometry setting when outputting DPX files.

Sorry this thread came up twice, my browser hung for ten minutes.

No sooner did I post this, I saw the similar thread below. http://www.reduser.net/forum/showthread.php?t=25368

So, as...

This works...
I use Final Cut to "Log and Transfer" RED R3D files into ProRes HQ.
Then I use Media Manager to make an offline copy of my edit sequence.
Batch Capture will open the "Log and...

This works...
I use Final Cut to "Log and Transfer" RED R3D files into ProRes HQ.
Then I use Media Manager to make an offline copy of my edit sequence.
Batch Capture will open the "Log and...

I have a client who edited their project with M proxy files, and now we wish to Grade in Color.

By sending his Proxy XML to Color, and resizing the output resolution, we appear to have full access...

I like the idea of 1280x720 23.98 for HD offline, but my Panasonic 26 monitor will not display it. Make sure you don't have monitoring headaches.

STeve

First question, does Compressor work with a different file?

I'm Steve MacMillan, Final Cut online editor at Absolute Post and Primary 3 in Burbank, CA. I'm good with decks, Color, and DVD/Blu-ray. Longtime audio engineer and ProTools expert.

I'm looking...

With RedRushes on my 8 core 3Ghz, it is about a 25:1 transcode time ratio making 1920x1080 ProRes HQ with a full debayer. With Half High, it is about a 12:1 ratio. On the sharpest detail I can see...