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I guess that also applies to Scratch...

will Color Science be used in some way when color grading in a Scratch system??? Or there is no relation between then??

Thanks Michael,
I've seem 4K in a big screen (scenes from Baraka, CGs and some other shots) and it was truly amazing. What I would love to see is a side by side comparison to see the potential of...

Michel,
Have you had a chance to compare some RED footage projected on a 4KDCP at the SXRD and the same footage on a 2k CP2000???

After I edited on FCP can I open a EDL or XML file in REDCINE and work with the 4k .r3d files??? Will REDCINE assemble the files???

Thanks for sharing David...

Since my camera is delayed I'm looking for a 4 weeks rental beginning in June, It's an international shoot so the camera will have to travel, I'm in NYC area but the camera can be from any other...

Jim and RED Team,

Just one thing, THANK YOU!!!

Axel,

I'll be back in the US on the 13th, too bad... I'd love to see you footage.

Is there any RED event at Berlinale??
By the way, it seems that the color of Berlinale is... RED http://www.berlinale.de/en/HomePage.html

Jim,

A saw a film transfer at DuArt NY form a RED camera and I was really impressed with the picture quality level achieved. I'm used to shoot on film and I'm now convinced that I can finally, and...

Which lenses were used???

Yes, I'm talking about on set monitor. So far this is just a theoretical conversation since I don't have the camera yet, but I'll do a film transfer on the my first RED job and I want to really...

I understand the conversion from 4k RAW to 4k RGB, but I'm still trying to understand the ASAxISO Issue. On film I always have had just my lightmeter as a reference of the amount of light that would...

David,

So we should use the reading out of the light meter at 320ASA and ignore the dark look on the monitor to achieve a "correct" exposure??? Let's say I get a T4 at the meter, I should set the...

Great footage Axel. Please send us some comments after evaluating the film transfer results... Are you transferring 4K to film?? Is the final aspect ratio 1:1.85???

And how much of the sensor would be used to get a 2x1 squeeze??
If I use the 1.85 aspect ratio I would also not be using 100% of the sensor, right??
I’m trying to figure out the advantages and...

Can we use anamorphic lenses on a RED camera?? Any tests??

I'm sure it will be fixed, eventually... it's just a matter of time. Jim is talking about 10% now, it will be 100%, eventually...

That would just change the orientation of the problem, not fixing it. To me the problem is how to get on a single frame with just one set of exposition and orientation, fixing the strobe and skew...

Great test!!! It appears that the strobe and skew are the same problem. Film cameras capture, despite the shutter angle, a "real" frame, and whatever light is in that frame, that’s what you get, so...

Actually there is a lot of skew. As Rudi mentioned if you just look at the lamp post in the background, the one on the right side of the frame, you will notice that the post "line" shifts 4 or 5...

Thanks Stephen and Paul, that's what I thougth...

I have a Zeiss 10-100 converted to S16mm by Optex (12-120 when S-16mm). If I use this lens with the RED camera, can I shoot 2k??? And want about 4K???